Tuesday, 17 February 2015
Monday, 16 February 2015
Grand Designs Indoors - The Dilapidated Georgian House, London (S01E03)
Grand Designs -
the Dilapidated Georgian House
"Featuring Tony and Sharon Relph, a couple
restoring a dilapidated 200 year old Georgian house in London , to its former glory. They have very
little money and plan to do most of the work themselves. If they manage to
restore the grade two listed house in the Georgian style, the council will
allow them to live there rent free for a period of their lease. They peel back
layers of wallpaper to find a historical scrapbook of finishes which is donated
to The English National Heritage. A modern interpretation of a period home with
close attention to detail and sensitive repair, this is a true labour of love."
( In “Virtuoso Channel”)
Friday, 13 February 2015
Saturday, 7 February 2015
The Fall from grace of Lady Amanda Bruce ...
The fall from
grace of an aristocrat's wife
Lady
Amanda Bruce had it all. Married into one of Britain 's oldest aristocratic
families, she lived on a 15,000
acre estate in a historic country house where she
brought up her three doting children. Her latest home is far removed – it is a
jail cell in Texas
more than 4,500 miles
away.
By Robert Mendick and Nigel Rosser 8:00AM
GMT 17 Jan 2010 / http://www.telegraph.co.uk/news/worldnews/northamerica/usa/7006496/The-fall-from-grace-of-an-aristocrats-wife.html
Her fall from grace has been spectacular
ever since going on the run from the UK , leaving behind a string of
unpaid debts. It is a journey that has taken her first to Europe, then to
Hollywood, where she mixed with such A-list film stars as Keanu Reeves, and
finally to prison for theft. Her victims – and there appear to be many of them
– have described her as an 'evil' fraudster who deserves to rot in jail.
Born in Alaska
to impoverished parents and whose mother drank herself to death – she
discovered her mother's dead body drowned in the bath – the fortunes of the
then Amanda Movius were transformed on a holiday to Scotland at the age of just 22.
Considered to have 'rock star' good looks
by her friends back home, the then Ms Movius met Lord Charles Bruce, an Old
Etonian and descendant of both Robert the Bruce. He is also heir to the 11th
Earl of Elgin. It was the 7th Earl of Elgin who seized the Elgin
marbles from the Parthenon in Greece
and brought them to Britain .
Theirs was a whirlwind romance – described
as a 'Highland fairytale' – that by 1990 had
led to marriage and all the trappings that go with a union with aristocracy.
Living in Abbey House on the family estate, at Culross, Fife ,
the couple had three children Antonia, now aged 18, 17-year-old James and
George, who is two years younger.
But with three small children to care for,
the marriage was doomed to failure amid gossip that the American arriviste had
embarked on a series of affairs.
By 1996, the couple had divorced while a
custody battle followed. Lady Amanda lost the children. Four years later, she
had quit Britain for good,
leaving behind her children, a failed Edinburgh
clothes shop and debts totalling £130,000.
Her father Jim, 72, a retired electrical
engineer, would later tell the LA Times: "Whenever she gets in a tight
spot, she bolts."
For years she went largely unnoticed,
flitting back and forth from Europe to the United States , and in her wake
leaving a trail of credit card debts, failed businesses, defrauded friends and
angry ex-lovers.
One detective said: "It is obvious she
criss-crossed the world trying to escape a crap childhood. She thought she had
found stability and all she needed in life when she married Lord Bruce in Scotland . But
Hunting, Shooting, and Fishing Scotland isn't blue collar America . She
couldn't cope so she just scrammed and kept on scramming when things got
tough."
Along the way, she met suburban property
developer David Grimes in Seattle on the US west coast,
whom she married. Their relationship also soured after about a year.
"Everything about her was a mystery to me," explained Mr Grimes, who
complained his wife would disappear for days, sometimes weeks, at a time
without explanation or reason.
In 2004 they divorced so that by 2006, the
now ex-Mrs Grimes had popped up in Hollywood, claiming to be a screenwriter,
even posing for pictures with A-list film stars Keanu Reeves, Robert Downey
Junior and Woody Harrelson on the set of the movie "A Scanner Darkly".
No one had reason to doubt the scriptwriting credentials of the pretty woman
with the British accent.
Already wanted for dodging a hotel bill in Seattle and using a
stolen credit card, she pleaded guilty to theft in 2007 under the name of
Amanda Leigh Grimes. But she didn't appear for sentencing and a warrant was
issued for her arrest.
Next she popped up in Austin
in Texas in
the autumn of 2008, using a new alias Amanda J George. She told a writer she
met in a coffee shop she too was a screenwriter and showed him the photograph
of herself with Keanu Reeves and the other stars. She suggested that they write
a film together; she almost certainly would have ripped him off.
By now Amanda was also setting herself up
on the internet as a rental agent for expensive holiday homes in Hawaii , in the process
defrauding among others the travel editor of the LA Times, Catharine Hamm. Ms
Hamm had sent her almost $5,000 for the rent on a house in Hawaii where she planned to spend her
honeymoon. Inevitably, the deal was bogus and with the wedding just days away,
Ms Hamm was forced to find an alternative. "On our wedding day, the
humiliation of having been ripped off hung over Carl [her husband] and
me," wrote Ms Hamm, "I wondered how I could have been such a fool."
But by now the net was closing in on the
41-year-old.
In April this year and with nowhere to
live, she booked into a hotel room in Austin ,
but was arrested when she tried to leave without paying. After being bailed she
took a bus to Carmel in California where again she was arrested,
this time for trying to bill meals to a room that wasn't hers.
By May, authorities had brought her back to
Texas to face
eight charges, including identify fraud, theft and driving while intoxicated.
She failed to find her $400,000 bail.
Detective Carl Satterlee of Austin Police
Department's Financial Crimes Unit said: "She appears to have constantly
moved from place to place living off other people's money and stealing from
people every day."
Last month she finally pleaded guilty to
four charges and was given a 15-month jail term, which she is serving out in
the Travis County Correctional Unit's building five.
At least, her family are standing by her.
Her brother James Movius, 42,
a biochemist in Seattle
said: "I know she's hurt a lot of people, including her family. I can
understand wanting to seek some sort of measure of revenge. But I know this
woman, Amanda Movius. And I know she struggles and I know she suffers, and I
want her to find her way to help."
Her children back in the UK have been
supportive too. Back in the summer when internet chatrooms were full of anger
aimed at the con artist, two lone voices struck a rare note of support,
defending Lady Amanda from criticism. One of the boys posted about enjoyable
holidays shared with his mother. That in turn inevitably attracted more anger,
prompting the other boy to jump to his defence. One of the boys – either James
or George – then wrote: "I think my brother is allowed to talk about his
mother in this way – he is only trying to cope with this.
"It's a lot to take. And if reaching
out to someone who has been hurt by what she has done is what he wants to do,
then I support it. I am sorry that you had to be part of one of her scams, but
he has every right to talk about happy memories of our mother."
The title Earl of Elgin was
created on 21 June 1633 in
the Peerage of Scotland for Thomas Bruce, 3rd Lord Kinloss. He was later
created Baron Bruce of Whorlton in the Peerage of England on 30 July 1641. His
son, Robert, succeeded him, and was also created Earl of Ailesbury in the
Peerage of England. The two Earldoms continued united until the death of the
fourth Earl of Elgin, when the Ailesbury and Bruce titles became extinct, and
the Elgin title
passed to the Earl of Kincardine; the Lordship of Kinloss became dormant.
Thereafter, the Earldoms of Elgin and Kincardine have remained united. The most
famous Earl was the 7th Earl, who removed and transported to Britain the
so-called Elgin Marbles from the Parthenon. In Dublin there are roads that come from the
Earl's titles. These are Elgin
Road and Ailesbury
Road .
As well as the titles Earl of Elgin and
Earl of Kincardine, Lord Elgin also holds the titles Lord Bruce of Kinloss
(created 1608), Lord Bruce of Torry (1647) and Baron Elgin, of Elgin
in Scotland
(1849). The first two are in the Peerage of Scotland; the third is in the
Peerage of the United
Kingdom .
The Lordship of Kinloss held by the first
four Earls was inherited on the death of the 4th Earl by the 3rd Duke of Chandos.
Through his daughter it passed to the Dukes of Buckingham and Chandos, and is
now held by these Dukes' heir of line.
The Earl of Elgin is the hereditary Clan
Chief of Clan Bruce.
The family seat is Broomhall House, three
miles south-west of Dunfermline ,
Scotland .
Friday, 6 February 2015
Denim Dudes by Amy Leverton.
"Denim Dudes is a street style book with a
difference. This richly illustrated title showcases over 80 metalheads punks,
indie kids, rockabillies, bikers, hipsters, geeks, and other enthusiasts who
are obsessed with denim.
As well as talking to and featuring pieces
key players in the global denim business, such as Henry Holland (House of
Holland), Francois Girbaud (Merithé et Francois Girbaud), Adriano Goldschmied
(The Godfather of Denim, Diesel, Evisu), and Kenichi and Kenji (Warehouse
Japan), Denim Dudes also explores the very best and latest denim styling on the
street. The photography has been shot exclusively for the book in the key
international centres of denim, including Paris ,
Tokyo , London , New York , LA, Milan , Amsterdam , Stockholm , Barcelona , Osaka , Melbourne and Berlin .
This inspirational title will appeal not
just to designers and fashion professionals but to a public increasingly
obsessed with the world of denim. It offers unrivalled insight into the stylish
and sometimes eccentric 'dudes' involved in this fascinating and diverse
industry."
Tuesday, 3 February 2015
MEN OF THE CLOTH by Vicki Vasilopoulos
MEN OF THE CLOTH Trailer from Vicki Vasilopoulos on Vimeo.
MEN OF THE CLOTH is an inspiring portrait
of three Italian master tailors who confront the decline of the apprentice system
as they navigate their challenging roles in the twilight of their career. The
film unravels the mystery of their artistry and reveals how their passionate
devotion to their Old World craft is akin to a
religion.
Monday, 2 February 2015
Geraldine McEwan died aged 82.
Geraldine
McEwan obituary
A
brilliant and fascinating exponent of high comedy and darkest drama
Michael Coveney
Saturday 31 January 2015 / http://www.theguardian.com/stage/2015/jan/31/geraldine-mcewan
Geraldine McEwan, who has
died aged 82, could purr like a kitten, snap like a viper and, like
Shakespeare’s Bottom, roar you as gently as any sucking dove. She was a
brilliant, distinctive and decisive performer whose career incorporated high
comedy on the West End stage, Shakespeare at Stratford-upon-Avon, Laurence
Olivier’s National Theatre, and a cult television following in EF Benson’s Mapp
and Lucia (1985-86).
She was also notable on
television as a controversial Miss Marple in a series of edgy, incongruously
outspoken Agatha Christie adaptations (2004-09). Inheriting a role that had
already been inhabited at least three times “definitively” – by Margaret
Rutherford, Angela Lansbury and Joan Hickson – she made of the deceptively cosy
detective a character both steely and skittish, with a hint of lust about her,
too.
This new Miss Marple was an open-minded woman
of the world, with a back story that touched on a thwarted love affair with a
married man who had been killed in the first world war. Familiar thrillers were
given new plot twists, and there was even the odd sapphic embrace. For all her
ingenuity and faun-like fluttering, McEwan was really no more successful in the
part than was Julia McKenzie, her very different successor.
Although she was not easily confused with
Maggie Smith, she often tracked her stylish contemporary, succeeding her in
Peter Shaffer roles (in The Private Ear and The Public Eye in 1963, and in
Lettice and Lovage in 1988) and rivalling Smith as both Millamant and Lady
Wishfort in Congreve’s masterpiece The Way of the World in 1969 and 1995.
And a decade after Smith won her Oscar for The
Prime of Miss Jean Brodie, McEwan scored a great success in the same role on
television in 1978; Muriel Spark said that McEwan was her favourite Miss Brodie
in a cluster that also included Vanessa Redgrave and Anna Massey.
McEwan was born in Old
Windsor, where her father, Donald McKeown, was a printers’ compositor who ran
the local branch of the Labour party in a Tory stronghold; her mother, Nora
(nee Burns), came from a working-class Irish family. Geraldine
was always a shy and private girl who found her voice, she said, when she stood
up in school and read a poem.
She had won a scholarship to Windsor county
girls’ school, but she felt out of place until she found refuge in the Windsor
Rep at the Theatre Royal, where she played an attendant fairy in A Midsummer
Night’s Dream in 1946. After leaving school, she joined the Windsor company for
two years in 1949, meeting there her life-long companion, Hugh Cruttwell, a
former teacher turned stage manager, 14 years her senior, whom she married in
1953, and who became a much-loved and influential principal of the Royal
Academy of Dramatic Art in 1965.
Without any formal training, McEwan went
straight from Windsor to the West End, making her debut in Who Goes There? by
John Deighton (Vaudeville, 1951), followed by an 18-month run in For Better,
For Worse… (Comedy, 1952) and with Dirk Bogarde in Summertime, a light comedy
by Ugo Betti (Apollo, 1955).
Summertime was directed by Peter Hall and had
a chaotic pre-West End tour, Bogarde’s fans mobbing the stage door every night
and in effect driving him away from the theatre for good; McEwan told Bogarde’s
biographer, John Coldstream, how he was both deeply encouraging to her and
deeply conflicted over his heartthrob star status.
Within a year she made her Stratford debut as
the Princess of France in Love’s Labour’s Lost and played opposite Olivier in
John Osborne’s The Entertainer, replacing Joan Plowright as Jean Rice when the
play moved from the Royal Court to the Palace. Like Ian Holm and Diana Rigg,
she was a key agent of change in the transition from the summer Stratford
festival – playing Olivia, Marina and Hero in the 1958 season – to Peter Hall’s
new Royal Shakespeare Company; at Stratford in 1961, she played Beatrice to
Christopher Plummer’s Benedick and Ophelia to Ian Bannen’s Hamlet.
Kittenish and playful,
with a wonderful gift for suggesting hurt innocence with an air of enchanted
distraction, she was a superb Lady Teazle in a 1962 Haymarket production of The
School for Scandal, also starring John Gielgud and Ralph Richardson, that went
to Broadway in early 1963, her New York debut.
She returned to tour in
the first, disastrous, production of Joe Orton’s Loot, with Kenneth Williams,
in 1965, and then joined Olivier’s National at the Old Vic, where parts over
the next five years included Raymonde Chandebise in Jacques Charon’s landmark
production of Feydeau’s A Flea in Her Ear, Alice in Strindberg’s Dance of Death
(with Olivier and Robert Stephens), Queen Anne in Brecht’s Edward II, Victoria
(“a needle-sharp gold digger” said one reviewer) in Somerset Maugham’s Home and
Beauty, Millamant, and Vittoria Corombona in The White Devil.
Back in the West End, she
formed a classy quartet, alongside Pat Heywood, Albert Finney and Denholm
Elliott, in Peter Nichols’s Chez Nous at the Globe (1974), and gave a
delightful impression of a well-trained, coquettish poodle as the leisured
whore in Noël Coward’s broken-backed adaptation of Feydeau, Look After Lulu, at
Chichester and the Haymarket.
In the 1980s, she made
sporadic appearances at the National, now on the South Bank, winning two
Evening Standard awards for her fresh and youthful Mrs Malaprop in The Rivals
(“Men are all Bavarians,” she exclaimed on exiting, creating a brand new
malapropism for “barbarians”) and her hilariously acidulous Lady Wishfort; and
was a founder member of Ray Cooney’s Theatre of Comedy at the Shaftesbury
theatre.
Geraldine McEwan: mischievously witty, from
Mrs Malaprop to Miss Marple
In the latter part of her stage career, she
seemed to cut loose in ever more adventurous directions, perhaps through her
friendship with Kenneth Branagh, who had become very close to Cruttwell while
studying at Rada. She was a surprise casting as the mother of a psychotic son
who starts behaving like a wolf, played by Will Patton, in Sam Shepard’s
merciless domestic drama, A Lie of the Mind, at the Royal Court in 1987. And in
1988 she directed As You Like It for Branagh’s Renaissance Theatre Company,
Branagh playing Touchstone as an Edwardian music-hall comedian.
The following year she
directed Christopher Hampton’s under-rated Treats at the Hampstead theatre and,
in 1998, formed a fantastical nonagenarian double act with Richard Briers in a
Royal Court revival, directed by Simon McBurney, of Ionesco’s tragic farce The
Chairs, her grey hair bunched on one side like superannuated candy floss.
She was a brilliant but
controversial Judith Bliss in Noel Coward’s Hay Fever (1999), directed as a
piece of Gothic absurdism at the Savoy by Declan Donnellan; McEwan tiptoed
through the thunderclaps and lightning like a glinting harridan, a tipsy
bacchanalian with a waspish lust and highly cultivated lack of concern (“My
husband’s not dead; he’s upstairs.”)
Other television successes included Oranges
Are Not the Only Fruit (1990), playing Jeanette Winterson’s mother, and an
adaptation of Nina Bawden’s tale of evacuees in Wales, Carrie’s War (2004). Her
occasional movie appearances included Cliff Owen’s The Bawdy Adventures of Tom
Jones (1975), two of Branagh’s Shakespeare adaptations – Henry V (1989) and
Love’s Labour’s Lost (2000) – as well as Robin Hood: Prince of Thieves (1991);
Peter Mullan’s devastating critique of an Irish Catholic education, The
Magdalene Sisters (2002), in which she played cruel, cold-hearted Sister
Bridget; and Vanity Fair (2004).
McEwan was rumoured to have turned down both
being appointed OBE and a damehood, but never confirmed this.
Hugh died in 2002. She is survived by their
two children, Greg and Claudia, and seven grandchildren.
• Geraldine McEwan (McKeown), actor, born 9
May 1932; died 30 January 2015
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