Obituary
Jane Birkin obituary
Singer and actor who duetted with Serge Gainsbourg on
Je T’aime … Moi Non Plus in 1969 and went on to a prolific film career
Ryan Gilbey
Sun 16 Jul
2023 14.35 BST
https://www.theguardian.com/culture/2023/jul/16/jane-birkin-obituary
The sultry
1969 hit single Je T’aime … Moi Non Plus was a four-and-a-half-minute distillation
of languid Gallic cool, in which a Frenchman, his voice coarsened by Gitanes,
is heard billing and cooing with an ecstatically sighing young Englishwoman
over the swirling motif of a baroque organ. That man was Serge Gainsbourg; his
companion was Jane Birkin, the actor and singer, who has died aged 76. Though
Birkin worked with some of the world’s finest film-makers, including Jacques
Rivette and Agnès Varda, she knew that Je T’aime … would be remembered above
everything else she did. “When I die, that’ll be the tune they play, as I go
out feet first,” she said.
Birkin was
21 when she and Gainsbourg met while starring together in the film Slogan
(1969). He was 40, and had previously recorded Je T’aime … as a duet with
Brigitte Bardot, only for the actor to withdraw permission for it to be
released. Birkin had already starred in a 1965 musical, Passion Flower Hotel,
scored by John Barry, whom she married that year at the age of 19 and from whom
she was divorced in 1968; he was the father of Kate, the first of Birkin’s
three daughters. But it was on the duet with Gainsbourg, she said, that for the
first time “somebody thought I had a pretty voice”.
She sang
her part an octave higher than Bardot. “It gave it a choirboy side that
[Gainsbourg] liked a lot,” she said. Rumours that the vocal track was recorded
under the covers during a moment of intimacy were untrue (the couple were
standing at separate microphones in a studio in central London) though they did
nothing to harm the mythology surrounding a song that was later condemned by
the Vatican. “I just remember thinking it was all terribly funny,” she said.
Among the
countries that refused to give the song airplay was Britain, where it became
the first banned single to reach the top of the charts, as well as the first
non-English-language No 1. It was also the lead track on the 1969 album Jane
Birkin/Serge Gainsbourg.
Birkin’s
life remained inextricably linked to his. They were together for 11 years, and
had a daughter, Charlotte, who became a successful singer and actor. Even after
they separated in 1980, he continued to write for her, and she went on
performing his songs for the rest of her life.
Far from
being an adjunct to Gainsbourg’s legend, she possessed her own style,
intelligence and attitude. Her wistful beauty was rendered unorthodox by an
eager, gap-toothed smile. Her voice was as bewitching as her face: though she
lived in France from 1969 onwards, and spoke French fluently, she never shed
her breathy, crisply English accent.
She was
born in London to Judy Campbell, an actor who had been a muse to Noël Coward,
and David Birkin, who was a lieutenant commander in the Royal Navy and a spy
during the second world war. His duties included taking British spies across
the Channel to France and bringing back stranded airmen and escaped prisoners
of war.
Jane was
educated at Upper Chine school on the Isle of Wight. At 17 she starred with
Ralph Richardson in Graham Greene’s play Carving a Statue; Greene himself had a
hand in casting her. Her screen acting career began with a walk-on part in The
Knack … and How to Get It (1965) and a controversial nude scene in Michelangelo
Antonioni’s Blow-Up, which she agreed to because Barry had told her she
wouldn’t dare.
She had a
small role in the Warren Beatty caper Kaleidoscope (also 1966), played a model
called Penny Lane in the psychedelic curiosity Wonderwall (1968) and starred
with Romy Schneider and Alain Delon in the psychological thriller La Piscine
(1969). She got on famously with Bardot when they starred together in Don Juan,
or If Don Juan Were a Woman (1973). Gainsbourg directed her in a 1976 film
named after their hit song; he cast her as a boyish woman who attracts the
attentions of a gay man, played by the Warhol regular Joe Dallesandro.
Birkin was
tremendous fun in two star-studded Agatha Christie thrillers, Death on the Nile
(1978) and Evil Under the Sun (1982). In the cryptic Love on the Ground (1984),
Rivette cast her and Geraldine Chaplin as actors drawn into a playwright’s
mysterious world. She appeared in two films, The Pirate (1984) and Comedy!
(1987), made by her then partner, Jacques Doillon, with whom she had her third
daughter, Lou, also a singer and actor. Jean-Luc Godard directed her in Keep
Your Right Up (also 1987), while for Varda she played a woman besotted with a
14-year-old boy in Kung-Fu Master! (1988); the film co-starred Charlotte and
featured Lou, and was inspired by an idea by Birkin herself.
In the same
year, Varda made her the subject of Jane B For Agnès V, in which the actor
performed a variety of specially scripted scenes (in one, she was a Stan Laurel
type, in another a cockney mother) interspersed with musings on her life. She
received the documentary treatment once again when her daughter directed Jane
By Charlotte (2021).
Her two
most impressive performances came in Bertrand Tavernier’s These Foolish Things,
aka Daddy Nostalgie (1990), in which she was moving as a woman trying to repair
her relationship with her dying father (Dirk Bogarde); and La Belle Noiseuse
(1991), Rivette’s spellbinding four-hour study of a painter (Michel Piccoli)
and his new muse (Emmanuelle Béart), in which Birkin played the artist’s wife
and former model, who must deal with the indignity of having her younger self
literally painted over.
Later films
included Alain Resnais’s musical On Connaît la Chanson (1997) and the
Merchant-Ivory coming-of-age story A Soldier’s Daughter Never Cries (1998).
In 2002
Birkin was diagnosed with leukaemia, but by 2006 she had made her directorial
debut with the autobiographical family drama Boxes, which she also wrote and
starred in, along with Chaplin, Piccoli, John Hurt and her daughter Lou. She
appeared in Rivette’s final film, Around a Small Mountain (2009), played
herself in Hong Sang-soo’s Nobody’s Daughter Haewon, and was reunited with
Tavernier for his comedy The French Minister (also 2013).
Her look
had been widely applauded in the 1960s, and seemed never to go out of date. In
the 80s Hermès introduced a large and exorbitantly priced leather bag, named
“the Birkin” in her honour. Fashion journalists in recent years could still be
heard celebrating the “Jane Birkin top”, referring to the white lace dress made
famous by her in the late 60s. “Real life was what I was best at,” she told
Vogue magazine in 2016. “I didn’t have confidence in movie cameras or on stage.
But I did have confidence in what I wanted in real life. If I wanted to be
barefoot and wear a mackintosh, I would do it. I didn’t give a hoot.”
It was at
40 that she finally discarded her youthful ingénue image and performed her
first live concert: “I cut my hair off like a boy, I wore men’s clothes. I only
wanted people to hear the music and words. It was fantastic. And it was so
frightening. Serge was there and he kept lighting his cigarette lighter to make
everybody put their lighters on.” That show was preserved on her 1987 album,
Jane Birkin au Bataclan. She continued singing and recording into her old age;
among her later albums is Birkin/Gainsbourg: Le Symphonique, from 2017, in
which the couple’s songs received new orchestral arrangements.
In 2020 she
published Munkey Diaries 1957-1982, containing diary entries addressed to her
favourite cuddly toy from childhood, which she can be seen clutching on the
cover of Gainsbourg’s 1971 album Histoire de Melody Nelson. She buried the toy
with him after his death in 1991.
She is
survived by Charlotte and Lou, and six grandchildren, and by her brother,
Andrew, and sister, Linda. Kate, a photographer, died in 2013.
Jane Mallory Birkin, actor and singer, born 14
December 1946; died 16 July 2023
Jane Birkin, Singer, Actress and Fashion Inspiration,
Dies at 76
She was a British-born “French icon” for years
associated with the singer Serge Gainsbourg. In the U.S., she was known for
lending her name to luxury handbags by Hermès.
Constant
Méheut
By Constant
Méheut
Reporting
from Paris
July 16,
2023
Updated
11:51 a.m. ET
https://www.nytimes.com/2023/07/16/arts/music/jane-birkin-dead.html
Jane
Birkin, the British-French singer and actress whose collaboration with the
artist Serge Gainsbourg made her a defining figure of the 1970s and whose
personal style inspired a luxury handbag, died on Sunday in Paris. She was 76.
Her death
was confirmed by President Emmanuel Macron of France, who called her “a French
icon” in a message posted on Twitter. The French news media reported that Ms.
Birkin had been found dead at her home but that the cause was not immediately
known.
It was Ms.
Birkin’s personal and artistic relationship with Mr. Gainsbourg that made her
famous overseas, especially following their 1969 hit song “Je t’aime… moi non
plus” (“I Love You… Me Neither”). In America, Ms. Birkin was mostly known for
lending her name to the famous Hermès handbags, status symbols with a distinct
strap fastener and signature latch.
Jane
Mallory Birkin was born in London on Dec. 14, 1946, to the actress Judy
Campbell and Cmdr. David Birkin of the Royal Navy. But it was her years in
France that made her famous and established her as an embodiment of Parisian
chic.
Among her
first acting roles was The Blonde in Michelangelo Antonioni’s 1966 film
“Blow-Up.” It was two years later, on a film set, that Ms. Birkin met Mr.
Gainsbourg, beginning a love affair that would last 12 years and captivate
France.
Their
erotic duet “Je t’aime… moi non plus,” whose lyrics are punctuated by breathy
moans from Ms. Birkin, was seen as exemplifying the sexual revolution of the
1960s. It was condemned by the Vatican.
Following
the breakup of the Gainsbourg relationship in 1981, Ms. Birkin continued
singing and acting, including in films by Agnès Varda and Patrice Chéreau. In
1983, she released the album “Baby Alone in Babylone,” which included music and
lyrics by Mr. Gainsbourg.
Mr.
Gainsbourg, a director and composer whose music helped pioneer contemporary
French pop music, died at 62 in 1991.
“He wrote
for me from 1968 until the day he died,” Ms. Birkin said in an interview with
The New York Times in 2018. “Why he went on asking me to interpret the songs
that I had inspired I don’t know — but perhaps he knew that I’d be faithful at
least to that.”
Ms.
Birkin’s gamin looks and carefree bohemian manner transfixed generations of the
style-conscious and inspired the expensive and highly coveted Birkin bag from
Hermès.
“I would
love to have been a sort of neat person and wear a Kelly,’’ she said in a 2018
YouTube interview, referring to the ladylike handbag created and named for the
film star Grace Kelly. “But I never thought you could get enough in it.’’
The
collaboration with Hermès, the French luxury house, started after its chief
executive, Jean-Louis Dumas, saw Ms. Birkin struggling with a straw basket on a
flight to London, its contents overflowing onto the floor. Ms. Birkin said she
had not been able to find a leather bag she liked. Hermès devised the Birkin,
which was, as she requested, “four times the size of a Kelly.’'
Ms. Birkin
was additionally popular in France as an activist for women’s and L.G.B.T.Q.
rights and also for her British accent when speaking French, which the French
found endearing.
“The most
Parisian of the English has left us,” the mayor of Paris, Anne Hidalgo, wrote
in a message on Twitter. “We will never forget her songs, her laughs and her
incomparable accent which have always accompanied us.”
Ms. Birkin
suffered a mild stroke in 2021 and had recently canceled a series of concerts
because of health issues.
She is
survived by two daughters she had with Mr. Gainsbourg and the French film
director Jacques Doillon: the singer-actresses Charlotte Gainsbourg and Lou
Doillon, each of whom has, like their mother, inspired designers and followers
of fashion.
Guy Trebay
contributed reporting from New York.
Constant
Méheut has covered France from the Paris bureau of The Times since 2020. More
about Constant Méheut
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