British Museum Director Resigns After Worker
Fired for Theft
Hartwig Fischer, who had led the museum since 2016,
said that the museum’s failure to respond to earlier warnings “must ultimately
rest with the director.”
Alex
Marshall
By Alex
Marshall
Reporting
from London
https://www.nytimes.com/2023/08/25/arts/design/british-museum-director-resigns.html
Aug. 25,
2023
Updated
12:45 p.m. ET
Just days
after the British Museum announced that it had fired an employee who was
suspected of looting its storerooms and selling items on eBay, the museum’s
director announced Friday that he was resigning, effective immediately.
Hartwig
Fischer, a German art historian who had led the world renowned institution
since 2016, said in a news release that he was leaving the post at a time “of
the utmost seriousness.”
Mr. Fischer
said that it was “evident” that under his leadership the museum did not
adequately respond to warnings that a curator may be stealing items. “The
responsibility for that failure must ultimately rest with the director,” Mr.
Fischer said.
The crisis
became public when the British Museum announced last week that items had been
stolen from its collection. The museum did not say how many items were taken,
but said that the missing, stolen or damaged pieces included “gold jewelry and
“gems of semiprecious stones and glass” dating from as far back as the 15th
century B.C.
Ever since,
a stream of revelations around the museum’s handling of the thefts undermined
Mr. Fischer’s position. On Tuesday, The New York Times and the BBC published
emails showing that he had downplayed concerns raised by Ithai Gradel, a
Denmark-based antiquities dealer, about potential thefts.
Mr.
Fischer, in an email to a trustee in October 2022, said “the case has been
thoroughly investigated” adding “there is no evidence to substantiate the
allegations.”
Mr. Fischer
initially defended his response, saying in a statement Wednesday that his
handling of the allegations had been robust and that the museum had taken the
warnings “incredibly seriously.” The extent of the problem only became clear
later, after the museum undertook “a full audit” of its collections, he added.
His defense
did little to quell criticism in Britain. On Wednesday, The Times of London
wrote that the thefts were “a national disgrace, calling into question the
museum’s own claims for its stewardship of cultural treasures, and for which it
needs to give a full accounting.”
In
announcing his resignation, Mr. Fischer said that it was clear that “the
British Museum did not respond as comprehensively as it should have in response
to the warnings in 2021, and to the problem that has now fully emerged.”
He was
already planning to leave the institution. In July Mr. Fischer announced he
would leave the British Museum in 2024, after eight years in the role as
director. But the crisis has brought that date far closer.
The museum
would “come through this moment and emerge stronger,” Mr. Fischer said, “but
sadly I have come to the conclusion that my presence is proving a distraction.
That is the last thing I would want."
George
Osborne, the museum chair, said in the release that the board had accepted Mr.
Fischer’s decision. “I am clear about this: we are going to fix what has gone
wrong,” Mr. Osborne said. “The museum has a mission that lasts across
generations. We will learn, restore confidence and deserve to be admired once
again.”
Alex
Marshall is a European culture reporter, based in London. More about Alex
Marshall
Artefacts stolen from British Museum ‘may be
untraceable’ due to poor records
Many examples of missing gold jewellery, gems and
ancient items were not catalogued, say cultural heritage experts
British
Museum director steps down after suspected thefts
David Batty
Fri 25 Aug
2023 17.40 BST
Many of the
priceless artefacts suspected to have been stolen from the British Museum’s
collections may never be recovered because of its poor record keeping, cultural
heritage experts have said.
Ittai
Gradel, a British-Danish antiquities dealer who uncovered the suspected thefts
of items such as gold jewellery, semiprecious stones and ancient glassware,
said he had been told hundreds of missing objects had never been properly
cataloged by the museum, making it difficult to prove they belonged to its
collections.
Gradel, who
first alerted the museum to the suspected thefts in 2020, said he understood
staff had found almost an entire collection of 942 unregistered gems was
missing. The museum’s records only describe the collection as a whole and do
not detail the individual pieces.
“As far as
I understand, these individual items were not described, only a sum total,” he
said. “So, 935 gems are missing and the problem is, if they can’t be
identified, how can they return to the museum?
“They have
been lying there without any registration at all for over 200 years,” making
them an open invitation to theft “because who could ever find out?”
Gradel was
singled out for an apology on Friday after the museum’s director, Hartwig
Fischer, announced he was resigning over the suspected thefts from the museum’s
vaults.
Fischer had
earlier told the Guardian of his frustration that the extent of any
appropriation of artefacts from its collection was not apparent when concerns
were first raised in 2021.
He said:
“We now have reason to believe that the individual who raised concerns had many
more items in his possession, and it’s frustrating that that was not revealed
to us as it would have aided our investigations.”
But it
later transpired Gradel had spent years appealing to the museum to investigate,
first airing his suspicions in 2020 before handing over a dossier of evidence
showing that items were being sold on eBay.
On Friday,
Fischer withdrew his earlier remarks. He said he expressed “sincere regret”
over the “misjudged” comments. “It is evident that the British Museum did not
respond as comprehensively as it should have in response to the warnings in
2021, and to the problem that has now fully emerged.”
Speaking
before the resignation, Gradel said: “The implication [is] that I deliberately
withheld evidence from the British Museum. How does that even make sense? It
was I who reported it and insisted that they took it seriously. It is a direct
attack on my personal integrity and I will not stand for it.”
The museum
announced last week that it had sacked a member of staff after treasures were
reported “missing, stolen or damaged”. The Metropolitan police said on Thursday
they had interviewed a man in connection with the suspected thefts.
Gradel said
he believed the suspected thefts occurred over at least two decades, and media
reports suggested that the number of stolen items could be as high as 2,000 –
with a value of millions of pounds.
Christos
Tsirogiannis, an expert at identifying looted antiquities, said he suspected
the British Museum had not specified how many items were missing or what they
looked like because it either had incomplete or no records for some of the
objects.
Tsirogiannis,
who heads illicit antiquities trafficking research for the Unesco chair on
threats to cultural heritage at the Ionian University in Corfu, added: “That
will make it extremely difficult, if not impossible, for the British Museum to
prove that these particular objects are the ones that they are missing from the
collections. That will eliminate the possibility to identify them and claim
them back.”
According
to the museum, 4.5m of the at least 8m items in its collections have been added
to its public database. About 1.64m artefacts have been photographed, although
there are other images, such as illustrations, of some of the remaining
objects.
Gradel said
the museum’s incomplete records meant he was only able to identify three of the
70 items he had bought on eBay as belonging to its collections.
He said he
contacted the museum after becoming convinced that someone with access to its
collections had been stealing items not listed on its online catalogue to avoid
detection.
It was only
when the suspected thief got sloppy and allegedly sold some items that were
traceable that Gradel said he realised the items he had bought may have been
stolen.
“They also
discovered Greek gold jewellery that was missing or had been physically
destroyed, cut to pieces with scissors or pliers or smashed with a hammer, or
the gold removed. The gold is [probably] melted down now. That’s lost for
ever.”
Prof Dan
Hicks, the curator of world archaeology at Oxford University’s Pitt Rivers
Museum, accused the British Museum of neglecting the work of making a proper
catalogue of its collection.
“This isn’t
a bad apple story, this is about institutional priorities,” he said. “This was
a disaster waiting to happen because of the lack of investment in doing
curatorial work.”
A British
Museum spokesperson said: “We have placed great significance and resource on
the cataloguing programme.”
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