The
construction of pumps is simple, using a whole-cut leather top with a low vamp,
lined with either quilted silk or plain leather, trimmed with braid at the
opening. The full leather sole is either glued onto the bottom, common on
cheaper styles, or sewn, as on more costly bespoke styles still made
traditionally, using a shallow slit to lift a flap of leather around the edge
to recess and hide the stitching. The sole is, as on ordinary shoes, several
layers of leather put together. The bow is made of grosgrain silk or rayon, in
a pinched or flat form.
For women,
pumps with a strap across the instep are called Mary Janes. Pumps may have an
ankle strap.
A man's
formalwear in the late 1820s.
In the
Regency period, during the day upper-class gentlemen in western Europe wore
dress boots, and boots or pumps by night, which accompanied silk knee-high
stockings and breeches. The shoes originally had silver cut-steel buckles, but
these were removed by the influence of Brummell, and a square grosgrain bow was
added. By Victorian times, evening footwear was pumps when there would be
dancing or music (hence the name opera shoe or opera slipper), and patent
leather dress boots otherwise. Pumps remained as standard with evening full
dress until the 1930s. At that time, the dress boot was also going out of
fashion, as laced shoes began to be worn at all times.
Even though
it now survives in much the same form as it was at the start of the 19th
century (though it is occasionally now worn with plain, not patent or calf)
pumps have been largely displaced by Oxfords, perhaps because of an effeminate
image and the declining use of white tie. It remains acceptable (though rare)
with black tie, and, since formal boots are now hardly ever worn, pumps are
standard with white tie, their only remaining common use. They are still
preferred with formalwear by many leaders of style. The original versions worn
with steel cut buckles are still worn as part of British court uniform and
dress.
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