Agatha Christie’s England, Channel 5, review: An
evocative film almost as good as one of the author’s capers
With suitably plummy narration by Downton Abbey’s
Samantha Bond, this documentary was a thoroughly enjoyable travelogue through
the author’s life
By Ed Power
July 6,
2021 10:00 pm
https://inews.co.uk/culture/television/agatha-christies-england-channel-5-review-documentary-1089827
In her
murder mysteries Agatha Christie celebrated a romanticised England that was
passing into history before her eyes. That Narnia of postcard-pretty villages,
seedcake from a silver tray and murder in the shires was eulogised in agreeably
wistful fashion in Agatha Christie’s England.
With
suitably plummy narration by Downton Abbey’s Samantha Bond, the film traced the
writer’s life from her privileged upbringing in Edwardian Torquay. From there,
it proceeded to her childhood visits to Ealing and her unhappy first marriage
in “stifling” suburban Sunningdale.
In Ealing,
Christie’s imposing great aunt Margaret provided inspiration for the snoopy
Miss Marple. Agatha’s aunt was warm-hearted and outgoing – but, just like
Christie’s sleuth, always saw the worst in people.
From a
young age Christie had consumed sensational newspaper reports of murder and
betrayal. There was betrayal in her own life, too. Having swept Agatha off her
feet, dashing husband Archie was soon spending all his spare time at the golf
course – and with a mistress.
One theory
is that Christie may have considered taking her own life because of the
condition of her marriage. “When she drove out into the night… she was in a
state of utter despair,” said her biographer Laura Thompson.
Christie
lived from 1890 until 1976 – a span that stretched from the Victorian era to
the dawn of punk rock. She yearned for the England of her youth and made her
readers nostalgic for it, too.
“The
England of Agatha Christie still exists as much as it did when she wrote about
it,” said Christie scholar JC Bernthal.
“It’s in
the pages of her books and in your mind when you read it.”
The
programme was a hugely evocative travelogue that brought to life a “traditional
England of servants, retired colonels and the wireless”. The best compliment
that can be paid is that, as soon as the credits rolled, viewers will have
wanted to pick up one of Christie’s capers and dive in.
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