Climate crisis brings whiff of danger to French
perfume capital
In Grasse, droughts, heatwaves, and excessive rainfall
have made growing flowers increasingly difficult
Mélissa
Godin
Sat 18 Feb
2023 09.00 GMT
When
heatwaves used to hit the French town of Grasse, the perfume capital of the
world, townspeople didn’t water their flowers. Instead, they marched along the
town’s cobblestone streets, in a procession towards the church.
“They were
calling for rain from the spirits,” says Carole Biancalana, a fourth-generation
perfume flower producer whose grandmother participated in the rain ceremonies.
“But I don’t think this procession would cut it in today’s climate.”
Since the
17th century, Grasse has been known worldwide for its fragrant flowers.
Situated just inland from the French Riviera, Grasse enjoys a microclimate that
allows fields of may rose, tuberose, lavender and jasmine to blossom. Today,
the region produces flowers for some of the world’s biggest luxury brands,
including Dior and Chanel, who spend significant amounts on raw materials from
the region – Grasse’s jasmine sells for a higher price than gold.
Around the
world, Grasse’s producers are recognised as leaders in the industry: in 2018,
Unesco placed the region’s perfume culture on its intangible cultural heritage
list.
But climate
change is threatening this tradition. Extreme weather patterns such as
droughts, heatwaves, and excessive rainfall have made growing flowers
increasingly difficult. Last summer, Grasse faced extreme droughts, resulting
in some producers losing nearly half of their harvest. High temperatures affect
the future quality of roses and prohibit some flowers, such as tuberose, from
growing. Biancalana felt these impacts directly: this year, her tuberose
harvest dropped by 40%.
“The elders
here keep telling us there are no more seasons,” says Biancalana, noting that
winters are now warmer, with unseasonal cold spells in the spring. She jokes:
“We can’t count on the spirits anymore.”
Grasse is
not alone. Around the world, primary materials for perfumes are threatened by
increasingly extreme weather patterns. Vanilla, a key material for the
industry, has taken a particular hit. Grown primarily on the African continent,
vanilla crops have been struck by heatwaves in recent years. In 2017, a cyclone
in Madagascar destroyed 30% of crops, pushing the price to more than $600
(£502) a kilo.
“Climate
change may not have an impact on the smell of perfume,” says Benoit Verdier,
the co-founder of the custom perfume house Ex Nihilo Paris. “But it will affect
the price.”
Ex Nihilo
has watched the costs for raw materials like vanilla and saffron soar as a
result of the limited supply caused by climate-induced droughts and disasters.
Though they have not yet increased the price of their perfumes, rising costs
for raw materials might force them to. As a result, they are considering
turning towards synthetic alternatives.
“The
romantic view of perfume is for it to be natural,” says Verdier. “There is
mysticism around a place like Grasse, it gets people dreaming. But it isn’t
always more sustainable.”
Crops for
perfumes require a lot of water and land. Shipping raw materials around the
world also results in significant carbon emissions. “It’s more sustainable to
make perfume in the laboratory,” says Verdier.
Producers
in Grasse disagree. “We actually consume very little water,” says Biancalana,
noting that producers in the region use drip irrigation, which has historically
accounted for only 5% of the region’s water use.
Producers
in the region have made significant efforts to ensure their crops are
environmentally friendly. In 2006, Biancalana founded Les Fleurs d’Exception du
Pays de Grasse, an association that brings together producers from the region.
One of their key mandates is that all producers be organic to ensure the
protection of biodiversity, which they believe is one of their greatest weapons
against climate change.
“What can
we do, how can we adapt, who should we ask for support, what research needs to
be done?” says Armelle Janody, the president of the association. “These are the
questions we are asking.”
But to find
answers, the association needs support. Currently, there have been few
scientific studies on how climate change is impacting crops in the region.
“We are
observing changes but we do not have scientific studies on what is objectively
happening,” says Janody.
Leaders in
the industry have already begun supporting local producers by investing in
research and adaptation techniques, which they know is critical for their
companies’ futures. But while producers welcome this support, some are wary of
the potential strings attached.
“The
question for us is how to have industry support without losing our autonomy and
sovereignty,” says Janody, who fears companies could demand greater control
over the means of production under the pretence of supporting climate
adaptation.
“These
brands want to associate their perfumes with our history and our heritage, yet
they come in and want to change everything. We do not want to be servants to
the industry.”
For
producers, it’s not just their agricultural practices that are at stake: it’s
their culture and way of life. The perfume industry has been at the beating
heart of Grasse’s identity for centuries. Since 1946, the town has paid tribute
to the region’s jasmine in an August ceremony that spans an entire weekend.
“This is so
much more than just a job,” says Biancalana, whose family has been working the
same fields for more than a hundred years. “We have a moral duty to our
ancestors and to our territory. People here have always been ready to fight.
That’s not going to change because of climate change.”
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