Riffs: Random Reflections on Jazz, Blues, and
Early Rock
by G. Bruce
Boyer
In 1938, 30
years before the civil rights movement, Benny Goodman, the legendary White jazz
clarinetist, brought on stage at Carnegie Hall in New York City a jazz
orchestra that included pianists Teddy Wilson and Count Basie, vibraphonist
Lionel Hampton, saxophonist Lester Young, and half a dozen other Black
musicians. This outrage to the acceptable that demolished segregation, if only
for one night, was the starting point of a phenomenon that could never be
undone by legislation because it was caused entirely by music.
The
renowned men’s fashion author G. Bruce Boyer had the good fortune to live his
teens and his twenties in the 1950s and ‘60s, the thick of a wondrous two
decades when musical giants walked the earth (blew the sax, pounded the piano,
scatted the ballad, composed the classic), and Boyer brings them all
listen-ably, dance-ably, singalong-ably alive in Riffs, Random Reflections on
Jazz, Blues and Early Rock. His love of music is unconditional, and he writes
about the joy he felt experiencing this musical eruption with an excitement and
wit that are contagious.
If you have
ears to hear, a heart to feel, feet to bop, there’s a Spotify list at the end
of Riffs of recordings of the work of the musicians Boyer brings to life, and
I’m taking bets that more than once you’ll put down Riffs, jump up, and dance.
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