The Union
Club of the City of New York (commonly known as the Union Club) is a private
social club in New York City that was founded in 1836. The clubhouse is located
at 101 East 69th Street on the corner of Park Avenue, in a landmark building
designed by Delano & Aldrich that opened on August 28, 1933.
The Union
Club is the oldest private club in New York City and the fifth oldest in the
United States, after the South River Club in Annapolis, Maryland (between 1700
and 1732), the Schuylkill Fishing Company in Andalusia, Pennsylvania (1732),
the Old Colony Club in Plymouth, Massachusetts (1769), and the Philadelphia
Club in Philadelphia, Pennsylvania (1834). The Union Club is considered one of
the most prestigious clubs in New York City.
The current
building is the club's sixth clubhouse and the third built specifically for the
members. The prior two clubhouses were at Fifth Avenue and 21st Street,
occupied from 1855 to 1903; and on the northeast corner of Fifth Avenue and
51st Street, a limestone clubhouse occupied from 1903 to 1933.
In 1927,
club members voted to move uptown, to a quieter and less crowded location. They
hired architects William Adams Delano and Chester Holmes Aldrich—who had
previously designed buildings for the Knickerbocker Club, the Brook Club, and
the Colony Club—to design their new clubhouse. The Union moved to its current
location in 1933. The building is known for its opulence and idiosyncratic
details. At one point the building featured five dining rooms and a humidor
with 100,000 cigars. Notable rooms include the card room, the backgammon room,
the library, and the lounge (off the squash courts).
From the
beginning, the Union Club was known for its strongly conservative principles.
During the Civil War, the club refused to expel its Confederate members,
despite taking a strong line on suppressing anti-draft riots. This policy, and
a belief that the Union's admission standards had fallen, led some members of
the Union to leave and form other private clubs (including the Union League
Club of New York and the Knickerbocker Club).
In 1903,
The Brook was founded by some prominent members of the Union Club (as well as
some members of other New York City private clubs, such as the Knickerbocker
Club and Metropolitan Club).
In 1918,
the Union began using women waitresses to free male employees for service
related to World War I This was the first time women were officially allowed
entrance to the previously male-only enclave.
In 1932,
the Union Club boasted 1,300 members. By the 1950s, urban social club
membership was dwindling, in large part because of the movement of wealthy
families to the suburbs. In 1954, Union
Club
membership had declined to 950 members. In 1959, the Union Club and the
Knickerbocker Club considered merging the Union's 900 men with The Knick's 550
members, but the plan never came to fruition.
The Union
Club is one of the few places where the game of bottle pool is still popular.
Inside the Union Club, Jaws Drop
By
Christopher Gray
Feb. 11,
2007
https://www.nytimes.com/2007/02/11/realestate/11scap.html
THE site of
the Union Club, which peers down from the crest of Lenox Hill at 69th Street
and Park Avenue, is appropriate for an institution generally considered the
cynosure of men’s organizations in New York.
At the
moment, the building is concealed by scaffolding, but the real showstopper is
its inventive interior.
Organized
in 1836, the Union is considered the first men’s social club in New York, or at
least the oldest.
The club
was known as particularly conservative. According to the historian John Steele
Gordon, a member of the club, it did not expel its Confederate members during
the Civil War years.
Some
members took exception to this and withdrew to found the Union League Club, now
at 38th and Park. In the 1870s, other members, who thought the Union’s
standards of admission had fallen, went off to form the Knickerbocker Club, now
at 62nd and Fifth Avenue. The Brook and Metropolitan Clubs were also offshoots.
In 1901,
the Union built an ebullient limestone clubhouse at the northeast corner of
51st and Fifth. But, according to “The Architecture of Delano & Aldrich”
(W. W. Norton, 2003) by Peter Pennoyer and Anne Walker, the members voted in
1927 to move uptown, to a quieter and less crowded location.
They sold
the 51st Street clubhouse, with an agreement giving them five years to move,
and began a leisurely hunt for property that led to 69th and Park, the center
of a concentration of mansions, even though apartment houses lined the rest of
the street.
The club
hired William Adams Delano and Chester Holmes Aldrich, who had already designed
the Knickerbocker, the Brook and the Colony clubhouses.
Mr.
Delano’s desire for a simple design was not shared by club members, Mr.
Pennoyer and Ms. Walker note, citing a quotation from his memoirs: “The
Building Committee insisted on a good deal of ornament inside and out, which
they were used to at the old club.”
Thus,
although the Knickerbocker Club is slim and elegant, the Union clubhouse,
opened in 1933, is chunky with rusticated limestone and a huge angled mansard
roof so big it looks like a Fifth Avenue mansion gone wild.
Nonmembers
usually get no farther than the entry hall, but even there it is possible to
see past the strange elliptical columns, up into the spectacular coffered dome
of the main hall, which is in the form of a Greek cross. The room to the left,
originally the lounge and writing room, runs the full width of the Park Avenue facade.
To the
right is the card room, which displays Mr. Delano’s witty and inventive
decorative abilities at their peak, with a frieze of hearts, spades, diamonds
and clubs running around the ceiling, and carved reliefs of face cards across
the marble mantelpiece.
“I had
great fun in designing every detail — all the electric light fixtures, mantels,
ventilators, etc.,” Mr. Delano wrote in his memoirs, which were published in
1950. The same spirit informs the frieze of flying fish on his Marine Air Terminal
at La Guardia Airport.
The same
spirit can be seen in the backgammon room, where the wall vents are patterned
like backgammon boards, and in the library, whose light fixtures are shaped
like the planet Saturn. The lounge off the squash courts is one of the
astounding rooms in New York — its patterned ceiling in gold, buff and green
billows in like a festival tent.
The
Pennoyer-Walker book has historic photographs of the building inside and out,
but also sumptuous color photographs by Jonathan Wallen. (Many of them are
accessible on Amazon.com, with the “search inside” function.)
In its December
1932 issue, Fortune magazine painted a picture of the club’s 1,300 members as
“men who are, rather than men who do.” This meant, above all, old families who
did not need to strive, either professionally or economically, with surnames
like Gallatin, Iselin, Pyne, Wilmerding, Goelet and Pell.
The Union
clubhouse had five dining rooms, a humidor with 100,000 cigars, and, according
to The Herald-Tribune, an early television set, a radio in each room and “much
modernistic decorative art.” From a 1933 photograph of the library, it is
possible to make out the title of only one magazine: Esquire.
By the
1950s, membership at urban social clubs was dwindling because of the continued
movement of well-to-do families to the suburbs and the quickening pace of city
life. The New York Times reported in 1954 that the Union was down to 950
members. Four years later, according to The Times, the Knickerbocker Club was
considering an invitation to join its 550-man membership with the Union Club’s
900 members, but the plan came to naught.
A 1969
article in The Times bore the slightly surprised headline “Union Club Still
There.” The president, Edward C. Brewster, was quoted as saying, “We want no
salesmen here, nobody who pushes himself and barges in,” adding, “The Yale Club
can absorb that kind, I suppose.” Mr. Brewster had graduated from Yale in 1932,
according to his Social Register listing.
Now the
Union Club is spending nearly $1 million just on exterior repairs, rebuilding
long sections of its limestone cornice. Bruce Popkin, an architectural
conservator at Thornton Tomasetti, the engineering and architectural firm
supervising the project, said that in the course of inspection, he noticed that
a section of the stone cornice was cracked along the edge for most of its 300-plus
feet.
He believes
the crack was caused by an installation mistake, in which sheets of protective
copper were simply nailed into the top of the cornice, a few inches in from the
edge, starting a series of long horizontal fractures even before club members
moved in.
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