Sir George Reresby
Sitwell, 4th Baronet (27 January 1860 – 9 July 1943) was a British
antiquarian writer and Conservative politician who sat in the House
of Commons between 1885 and 1895.
Sitwell was born in
London, the son of Sir Sitwell Reresby Sitwell, 3rd Baronet and his
wife Louisa Lucy Hutchinson, daughter of the Hon. Henry Hely
Hutchinson. His father died in 1862 and he succeeded to the baronetcy
at the age of two. He was educated at Eton and Christ Church, Oxford.
He was a lieutenant in the West Yorkshire Yeoman Cavalry.
Sitwell contested
Scarborough seven times, losing twice in 1884. He was elected Member
of Parliament for the constituency at the 1885 general election, but
lost it at the 1886 general election. After regaining the seat in the
1892 general election, he lost it again in the 1895 general election.
A keen antiquarian,
Sitwell worked on the Sacheverell papers, and wrote a biography of
his ancestor, William Sacheverell and published The Letters of the
Sitwells and Sacheverells. His collection of books and papers are
said to have filled seven sitting-rooms at the family house, Renishaw
Hall, in Derbyshire. He researched genealogy and heraldry, and was a
keen designer of gardens (he studied garden design in Italy).
In 1909 he purchased
the Castello di Montegufoni, near Florence, then a wreck inhabited by
three hundred peasants. Over the next three decades he restored it to
its original design, and took up permanent residence there in 1925,
writing to the Archbishop of Canterbury and the Chancellor of the
Exchequer to explain that taxes had forced him to settle in Italy. He
remained in Italy at the outbreak of war, but in 1942 moved to
Switzerland and died at Locarno at the age of 83.
Sitwell married, in
1886, Ida Emily Augusta Denison, daughter of William Henry Forester
Denison (later 1st Earl of Londesborough). In 1915 he refused to pay
off her many creditors, and saw her prosecuted and imprisoned for
three months. He was succeeded by his elder son Osbert, who described
him vividly in his five-volume autobiography. Sir George's other two
children were the writers Edith and Sacheverell Sitwell.
OBITUARIES
Sir Reresby
Sitwell, Bt
Sir Reresby Sitwell,
7th Bt, who died on March 31 aged 81, was the elder and only
surviving son of Sir Sacheverell Sitwell, writer, traveller, and a
leading figure in 20th-century taste; he inherited the family seat,
Renishaw Hall, set in 5,000 acres near Sheffield, from his bachelor
uncle, Sir Osbert Sitwell, and cared for it for more than 40 years.
5:56PM BST 31 Mar
2009/
http://www.telegraph.co.uk/news/obituaries/culture-obituaries/5084244/Sir-Reresby-Sitwell-Bt.html
Remarkably the house
has had only three owners since 1862. The Sitwells trace their
ancestry back to Simon Sitwell in 1301, and in the 14th century the
family held lands in the parish of Eckington. They settled at
Renishaw in 1626, garrisoning Charles I there during the Civil War.
Sir Sitwell Sitwell was created a baronet in 1808 for holding a ball
at Renishaw for the Prince of Wales (later George IV).
At Renishaw, Reresby
Sitwell found himself steeped in his Sitwellian past. The house owed
much to his eccentric grandfather, Sir George, who laid out fine
gardens and a 17-acre lake. His extravagant grandmother, Lady Ida,
had fallen into debt and into the hands of a blackmailer, and was
sentenced to three months in prison for fraud in 1915. Then there had
been the tangled web woven by the famous literary trio –
Sacheverell (Reresby's father), his elder brother Osbert and their
eccentric sister, the poet Dame Edith. Reresby's early life was
complicated by the antagonism between Osbert and Sacheverell, due,
some believe, to Osbert's never forgiving his brother for marrying,
which he judged an act of betrayal.
Set against this
backdrop were the talented friends of the Sitwells, who enriched the
life of Renishaw: the composer William Walton; the photographer Cecil
Beaton (who posed the three Sitwells in the house in many famous
photographs); and the artist Rex Whistler. And modern Renishaw is
adorned with the finest collection of paintings by John Piper, many
of the house and the gardens.
Sacheverell Reresby
Sitwell was born at 18 Tite Street, Chelsea, on April 15 1927. He was
old enough to remember his eccentric grandparents, Sir George and
Lady Ida, who divided their time between Renishaw and Montegufoni,
their huge medieval castle in Tuscany. Into the equation of the three
Sitwells came Reresby's mother, Georgia Doble, whom Sacheverell had
married in 1925 (the other two never married). Georgia was a Canadian
and the sister of the actress Frances "Bunny" Doble, later
Lindsay-Hogg.
He was christened at
Lambeth Palace, and his uncle Osbert wrote that he hoped the boy
would "prosper and be a terror to his grandparents, though not
to Mother, Father or Uncle". Reresby's parents moved in an
interesting set, and his godparents included Zita James (the elder of
the two Jungman sisters) and the relentless hostess Mrs Ronald
Greville, of Polesden Lacey. He was to resent the fact that Mrs
Greville left him only £500 in her will – while Princess Margaret,
who was not a god-daughter, was bequeathed £20,000. (Mrs Greville
had a penchant for giving to the rich.)
As was customary in
upper-class households in those days, Reresby's childhood involved
being left with his nanny or deposited with grandparents and
relations for long periods, while sometimes his parents failed to
make the correct arrangements for him as they swanned about the world
with their rich friends. He was miserable at his prep school,
Sandroyd, and nearly ran away, and he was not much happier at Eton.
His bad reports enraged his father. who then chased him round the
kitchen, brandishing a furled umbrella.
Nevertheless, he
surprised his parents by winning a scholarship in Medieval History to
King's College, Cambridge. Before taking it up, however, he joined
the Army for three years. He undertook his National Service in the
Grenadier Guards, serving two years with the 2nd Battalion in
occupied Western Germany.
In 1943 Reresby had
been the main beneficiary of his grandfather's will, causing further
squabbles over inheritance within the family and some disquiet
amongst the Sitwell siblings. Relations with his parents deteriorated
when his Cambridge career failed to burgeon. He switched subjects,
and when even English Literature (taught by the celebrated Dadie
Rylands) failed to inspire him, he came down from the university
without a degree.
From 1948 to 1963 he
worked in advertising and public relations and for some years
operated a vending-machine business. In 1964 he went into the wine
trade, and in 1972 planted his own vineyard at Renishaw. He made two
rare excursions into writing, collaborating with John Julius Norwich
and A Costa on an illustrated record of Mount Athos, and writing a
small book about his family, Renishaw Hall and the Sitwells,
published in 2001.
Further trouble
arose over his marriage. At one stage Sitwell had taken a job at
Fortnum & Mason, where he met Penelope Forbes, the stunningly
beautiful daughter of Colonel Donald Forbes, DSO, and a niece of the
Earl of Granard. Her father had been killed in a car accident when
she was 12, and she had been left with little income. She too was
also working at Fortnum's, and Reresby's parents (and, in particular,
his difficult mother) put every possible obstacle in the way of their
marriage.
Nevertheless,
Reresby had found a bride, who, in the words of his father's
biographer, Sarah Bradford, was "a woman of strong personality"
and "precisely the character he needed to provide the support
which had not always been forthcoming from his mother". The
couple were forced to marry from the bride's aunt's house in Paris in
1952, while Sacheverell and Georgia were safely away in Chicago. On
hearing the news, Georgia Sitwell began to wage war against Reresby
and his new wife, instructing their friends not to give them wedding
presents or invite them to their houses.
This situation
continued for five years, after which there was a sort of truce. The
young Sitwells spent Christmas with Sacheverell and Georgia at their
Northamptonshire home, Weston Hall, and a reconciliation seemed to be
cemented by the birth of Reresby and Penelope's only child,
Alexandra, who was born in the following March.
In the autumn of
1965 Sir Osbert Sitwell handed Renishaw over to Reresby and retreated
to Montegufoni, in order to avoid death duties. Reresby and Penelope
were to run it for 44 years, and this became the cause of further
difficulties with his parents, who felt excluded – a situation that
was exacerbated by problems concerning the breaking and division of
the Weston Trust.
Nor were relations
helped when Osbert cut his brother, Sacheverell, out of his will.
Georgia Sitwell had anticipated inheriting Montegufoni, and hardly
was Osbert dead than she began to invite guests there. When she was
told it had gone to Reresby, she spent a week in the London Clinic
suffering from depression.
Meanwhile, although
Reresby engaged international lawyers to protect his interests, in a
letter to his father he wrote of his "sadness about all the
misunderstandings, the bitterness, the wasted talents, the squandered
assets and sheer follies that have sundered us all". Only after
Georgia's death, in 1980, was there a full reconciliation between
father and son, although Sitwell feuds were destined to continue.
Reresby and his younger brother, Francis, were never in harmony.
In the years that
followed, Reresby and Penelope Sitwell ran Renishaw as a home for
family and friends, holding magnificent weekend parties. When they
moved in, there had been neither electricity nor central heating, and
the gardens were in a state of dismal neglect. Penelope set about
restoring the gardens, and organising the estate into a striking
landscape of ordered spaces and wild woodland.
Reresby loved his
Sitwell ancestry, and enjoyed relating tales of neighbouring figures
such as the Duke of Portland and the many extraordinary figures who
had peopled his life. He was a superb custodian of Renishaw, of which
he loved every stone, and to which he admitted the general public for
a few days of the week at certain times of the year. He was equally
delighted to show it to interested visitors so long as they applied
in writing. (In Sitwellian tradition, he was less keen on those who
appeared unannounced.)
Recently he opened a
performing arts gallery in the stable block in the grounds. This
included a costume gallery and a museum of Sitwell memorabilia. He
staged annual exhibitions celebrating the memory of those who had
played a part in the house, such as Beaton and Rex Whistler. In the
summer of 2007 he displayed a collection of wartime memorabilia,
including Field Marshal Montgomery's pyjamas, Goering's cufflinks,
Mussolini's cigarette case and the swastika-covered nightdress of Eva
Braun, Hitler's mistress. He owned and frequently lent to exhibitions
his many works by John Piper.
Reresby Sitwell
served as High Sheriff of Derbyshire in 1983-84, and was appointed a
Deputy Lieutenant for Derbyshire in 1984. He was a Freeman of the
City of London, and a member of the Society of Dilettanti. In 2004 he
received an honorary doctorate from Sheffield University as a
celebrated patron of the arts and culture and for making Renishaw
Hall so accessible to the public.
Renishaw is now
inherited by his daughter, Alexandra, while George Sitwell, elder son
of his late brother Francis, succeeds in the baronetcy. Penelope
Sitwell survives him.
Great
dynasties of the world: The Sitwells
Ian Sansom on an
English clan famous for their eccentricity
Ian Sansom
Saturday 7 May 2011
00.05 BST /
http://www.theguardian.com/lifeandstyle/2011/may/07/edith-sitwell-great-dynasties-ian-sansom
In The English
Eccentrics (1933), Edith Sitwell claimed that "Eccentricity
exists particularly in the English, and partly, I think, because of
that peculiar and satisfactory knowledge of infallibility that is the
hallmark and birthright of the British nation. This eccentricity,
this rigidity, takes many forms." And no more eccentric and more
rigid a form, one might add, than in the Sitwell family itself.
The Sitwells made
their fortune in the 16th and 17th centuries, from landowning and
iron-making. They made nails and saws, and built themselves a grand
gothic pile on the proceeds – Renishaw Hall, on the edge of
Chesterfield in Derbyshire. (Renishaw was the model for Wragby Hall
in DH Lawrence's Lady Chatterley's Lover – a "dirty and
completely worthless book", pronounced Edith.) In 1808, Sitwell
Sitwell – so good they named him twice – held a lavish ball for
the Prince of Wales, and bagged himself a baronetcy in return. The
Sitwells had made it: they had money, a house and a title. They were
also soon to achieve fame and notoriety.
Sitwell Sitwell's
great-grandson, Sir George Reresby Sitwell, the fourth baronet,
married Ida Emily Augusta Denison, in 1886, and they had three
children: Osbert (1892-1969), Sacheverell (1897-1988), and Edith
(1887-1964). "They weren't parents I would recommend to
anybody," remarked Edith of Lady Ida and Sir George. "I
don't believe there is another family in England who have had parents
like ours." She was probably right.
Sir George,
according to the biographer Victoria Glendinning, "did not like
real life, because it disrupted his inner reverie of the past; so he
avoided it, by illness, oddness, and self-imposed isolation". He
spent most of his time with his devoted butler, Henry Moat, writing
unpublishable books (including A Short History of the Fork and Acorns
As An Article of Medieval Diet) and thinking about gardens. If Sir
George was merely eccentric and remote, Lady Ida was all too horribly
present.
"There was
something very seriously wrong," wrote Edith. Indeed. Edith
never forgave her mother for making her wear an iron back brace and a
nose-truss as a child, in order to straighten out her posture and her
features. It wasn't until after Lady Ida was released from Holloway
after her imprisonment for fraud in 1915 that there was any thawing
of relations between the two.
Edith escaped
Renishaw and went with her governess to live in London, where she
wore turbans and jewellery, and wrote poetry, including Façade
(1922), a spoken-word piece set to music by William Walton, in which
Edith intoned the lines through a megaphone, concealed behind a
curtain. Edith was fabulously rude, a great enthusiast, and madly in
love with the Russian painter Pavel Tchelitchew, who preferred boys.
Dame Edith makes Lady Gaga look tame, frankly: in a good biopic she
would be played by Meryl Streep, with a prosthetic nose, and an
accent.
Osbert – Alfred
Molina, perhaps? – became the de facto Sitwell family chronicler in
his many volumes of autobiography, beginning with Left Hand Right
Hand! (1945), and ending, eventually, with Tales My Father Taught Me
(1962). Sacheverell, the youngest, the mildest and most benign of the
trio – Kenneth Branagh? – was also determined to "leave a
mark of some sort or kind", and duly wrote more than 100 books.
Neither Osbert nor Edith married or had children.
Osbert's companion
was a man named David Horner: the two spent much of their time at the
Sitwell's castle, Montegufoni, near Florence. Sacheverell Sitwell's
son, Reresby, inherited Renishaw, and seems to have been delightfully
sane. He died in 2009. His daughter Alexandra is the current owner of
the house, which one might rightly describe as the ancestral home of
the English eccentric.
At home with art
and beauty: Lee Marshall heads to Tuscany to stay in the castle once
owned by the Sitwell family
LEE MARSHALL
Tuesday 19 July 1994 /
http://www.independent.co.uk/travel/at-home-with-art-and-beauty-lee-marshall-heads-to-tuscany-to-stay-in-the-castle-once-owned-by-the-sitwell-family-1414723.html
We arrived just as
night was falling, having taken the scenic route from Rome.
Encouraged by hunger and the failing light, we had
already identified
two hill-top castles which just had to be Montegufoni. Neither was. I
had a vision of us following curves into eternity, in the Dantean
circle reserved for unrepentant motor tourists.
All of a sudden,
there it was: the unmistakable profile of the tower of the Palazzo
Vecchio. Now I
really was
hallucinating: what
was Florence's landmark doing on a cypress-strewn hill 25km
south-west of the city?
'The story was,'
writes Osbert Sitwell in his autobiography, 'that an owner of the
castle in the 13th century had publicly sworn that if a certain
favour were granted by St Anthony, he would never live out of sight
of the Palazzo
Vecchio tower.
He obtained his
desire, but since he was greatly devoted to his country estate,
sought to avoid the payment of his oath by constructing at
Monte-gufoni this counterfeit.'
A far grander but no
more reliable car than our clapped-out Fiat broke down on this very
curve one summer evening in 1909, after taking a wrong turn on the
road from Florence to Siena.
Among the tourists
forced to cool their heels were Sir George Sitwell and an Italian
'baron' who was also, Osbert tells us, a fairweather estate agent and
vendor of fake medieval tapestries.
How strange that the
breakdown should have occurred beneath the terraced ramparts of the
castle of the Acciaiuoli, a Tuscan family which achieved brief
prominence as the Dukes of Athens in the 13th century (it was in
their demesne that Shakespeare set A Midsummer Night's Dream). And
how fortuitous that this imposing property should just happen to be
on the market.
Sir George was
hooked. He wrote at once to his son Osbert, then 16: 'You will be
interested to hear that I am buying in your name the
Castle of Acciaiuoli
(pronounced Accheeyawly) between Florence and Siena. . .We shall be
able to grow our own fruit, wine, oil - even champagne] The roof is
in splendid order, and the drains can't be wrong, as there aren't
any.
'I do hope, my dear
Osbert, that you will prove worthy of what I am trying to do for you,
and will not pursue that miserable career of extravagance and
selfishness which has already once ruined the family.'
Osbert comments
wryly: 'This letter puzzled me, for I was not conscious of having
been extravagant.
'I had not bought a
castle big enough for 300 people. I was not proposing to make my own
champagne.'
Montegufoni passed
out of the Sitwell family's hands in 1972 and it has since become a
hotel. On the evening we arrived, the place seemed empty: the austere
stone-flagged courtyard preserved its air of forlorn grandeur and in
the corner stood the castle well which had yielded a woman's skeleton
during restoration work, much to Sir George's delight.
Having made it up to
the castle and looking for some sign of life, we wandered through a
deserted hall.
There was a
banqueting table beneath a vaguely rococo frescoed ceiling, difficult
to make out in the twilight - except for the eyes of a vigilant owl.
Out on the patio, the mingled scent of wisteria and black roses
rising from the terraced garden below was overpowering.
We were saved by the
restaurant. An unmarked door giving on to the gravel path concealed a
cosy, family-run trattoria. The young and only waitress spoke broad
Tuscan and nothing else.
Cosimo Posarelli,
who owns and runs the hotel together with his father, says most
visitors are not Sitwell groupies but families in search of a
relaxing holiday in romantic surroundings. The castle is divided into
17 self-catering apartments, most of which retain original
furnishings and wall or ceiling fres-coes. They range in size from La
Galleria, incorporating the Sitwells' former living-room and
occupying a whole wing, to the aptly-named Il Camino (the chimney).
Because each flat
has a separate entrance, the castle tends to feel empty even in the
high season. And if it does get crowded, there's always the garden.
The plants Osbert
mentions in his autobiography are still here: ranunculus asiaticus,
which flowers 'with a feathery lolling fullness that was altogether
lacking in the north', verbena and plumbago, and of course the lemon
trees, planted in rows in enormous, ancient terracotta pots bearing
the Acciaiuoli crest of greyhound and lion rampant. The only addition
since the Sitwell
occupancy is a
good-sized swimming pool.
Below the double
staircase which leads down to the first of the terraced lawns is a
shell-covered grotto with 18th-century statuary. In a fresco above,
the same owl I had noticed in the entrance hall gazed down from an
allegorical scene. This is another Acciaiuoli trademark: the tawny
owl, attribute of Athene, evidently reminded the family of its glory
days in Athens. It finds an echo even in the name of the castle:
Montegufoni means Big Owl Mountain.
The owl appears in
other frescoes dotted around the castle, including a delightful
Commedia dell'Arte scene painted in 1921 by Italian futurist Gino
Severini.
In the best
Renaissance tradition, Severini painted his patrons into the
composition: Osbert is a mandolin-strumming harlequin stepping
nonchalantly out of the frame, contemplating art and beauty through
half-closed eyes. After a week at Monte-gufoni, you begin to see his
point. Getting there:
VISITOR'S FACT FILE
Montegufoni is 25km
south-west of Florence on the Castelfiorentino road. From Florence
airport, follow the A1 motorway southbound as far as the Firenze
Certosa turn-off; follow signs to Galluzzo and then Montespertoli. A
hired car is recommended, as local bus services are infrequent.
Apartments:
Montegufoni is open from March to October. Apartments are rented by
the week, Saturday to Saturday. High Season (July-August) prices
range from more than pounds 1,000 per week for the sumptuous La
Galleria (sleeps eight) to pounds 300 per week for the humbler Il
Camino (sleeps two). The low season is up to 20. per cent cheaper.
Bookings can be made
directly with
Sergio Posarelli,
Castello di Montegufoni, 50020 Montagnana Val di Pesa (FI),
Italy (010 39 571
671131, fax 010 39 571 671514).
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