Behind The Hedgerow Teaser Trailer from Harry Cawthorn on Vimeo.
About The Movie
BEHIND THE HEDGEROW
takes viewers inside the private world of aristocratic Newport, Rhode
Island –– a world of privilege that began with the Gilded Age,
when Vanderbilts and Astors reigned. The story is told through the
focus of Eileen Gillespie Slocum, descendant of Browns (as in Brown
University) and friend to all of the 20th century Newport (and New
York and Philadelphia) elite. When Slocum died on July 27, 2008, at
the age of 92, a storied period of American history ended, as The New
York Times noted in her obituary. Slocum was the last of the Newport
grand dames –– and one of the last grand dames anywhere. She left
no successor. America had changed, and so had the world; a new
moneyed class now ruled, though the descendants of the Gilded Age
elite (many of them on-camera in this film, the first time ever)
continue to live on and near Bellevue Avenue, Newport, still one of
America's most exclusive addresses...
This is an
exclusive, inside look at a vanishing society, placed in historical
context and providing a deeper understanding of what F. Scott
Fitzgerald meant when he observed: “Let me tell you about the very
rich. They are different from you and me.”
Because of Eileen
Slocum’s stature, her relationships with virtually everyone in the
world of old money, her long life, and her intelligence and candor,
BEHIND THE HEDEGEROW is uniquely positioned to entertain, inform and,
in certain passages, amuse audiences.
The audience filled
Providence's Veterans Memorial Auditorium on Aug. 10, 2010, at the
film's world premiere, the opening-night featured presentation of the
2010 Rhode Island International Film Festival, and people were turned
away Aug. 14 at the sellout Newport premiere of HEDGEROW. A
month-long run at Newport's historic Jane Pickens Theater followed.
And Hedgerow has
earned rave reviews from critics, including four stars from The
Providence Journal. The film was featured on NPR's Morning Edition,
WRNI-102. 7 FM in Providence, several times on GoLocalProv, and many
other places. This link will take you to all the news and reviews.
Slocum inherited her
wealth from a banker father and a mother who was descended from
Nicholas Brown, whose philanthropy led officials in 1804 to change
the name of the College of Rhode Island to Brown University. Slocum
was opinionated. She was kind and generous to family and friends --
and could be a harsh employer. She belonged to all of the exclusive
clubs. She was a friend of royalty, presidents, senators, governors,
billionaires, bankers, America’s Cup sailors, writers, musicians,
artists, curators, debutantes, fellow heirs and heiresses, Doris
Duke, and Sunny and Claus von Bulow. She was known for her elegance,
wit, teasing ways and conservative politics, especially her
anti-abortion views –– and the lavish dinner parties, receptions
and balls that she hosted for more than half a century at her 459
Bellevue Avenue estate, whose interiors were designed by Ogden Codman
Jr., with landscaping by Frederick Law Olmstead. An invitation to an
Eileen Slocum party was coveted, and could not be refused (or
bought).
Director David
Bettencourt and producer/writer G. Wayne Miller bring this story to
the screen through the use of rare footage and still photographs from
a multitude of sources, through filming of key Newport Society events
during the summer of 2009 (such as Coaching Weekend) and through the
on-camera interviews of people in Eileen Slocum’s set and Slocum’s
family. The filmmakers utilize Slocum’s extensive personal archive
of photographs, books, belongings and papers –– notably the
diaries she began keeping at the age of nine as she was growing up in
an eight-story mansion at the corner of New York’s 89TH Street and
Fifth Avenue. She continued to write these diaries into the 1990s.
They are an intimate and never-before-seen account of life behind the
hedgerow.
The filmmakers
enjoyed exclusive access to Slocum’s archives -- and to her
Bellevue Avenue mansion, where much of the film was shot -- through
an agreement they reached with Slocum’s children: Jerry Slocum,
Margy Slocum Quinn and Beryl Slocum Powell. Under this same
agreement, Miller and Bettencourt also enjoyed access to the archives
of Slocum’s late husband, John Jermain Slocum. A diplomat, Harvard
classmate and friend of David Rockefeller, and bibliophile, John
Slocum gathered the world’s foremost James Joyce collection, which
now resides in Yale University’s Beinecke Rare Book and Manuscript
Library. A noted patron of the arts until his death in 1997, Slocum
and his wife counted Henry Miller, Eudora Welty and Gertude Stein
among his friends.
While Eileen Slocum
is the protagonist of the story, BEHIND THE HEDGEROW has an
intriguing supporting cast, including such prominent Newporters as
Hugh D. Auchincloss III, known as Yusha, and Betty "Boop"
Blake, a noted art collector who winters in Texas. Both Yusha and
Boop were lifelong friends of Eileen. Both appear for the first time
ever in a film.
The narrator of the
film was Eileen Slocum herself. Through a newspaper series he wrote
about Newport society, Miller, a longtime staff writer at The
Providence Journal, became a confidante of Slocum. During their long
relationship, he spent hours recording Slocum as she discussed her
life, her world, and her beliefs. These tapes, donated to Newport’s
historic Redwood Library and Athenaeum, were digitized and the sound
quality was enhanced for the documentary.
The movie is
completed with an original score composed and conducted by Ben Mesiti
and Lonnie Montaquila, the same talented musicians of ON THE LAKE:
Life and Love in a Distant Place, which premiered in February 2009,
has been shown on PBS affiliates coast to coast, and was nominated
for a New England Emmy. Talented editor Harry Cawthorn was also back
to help make BEHIND THE HEDGEROW.
BEHIND THE HEDGEROW
had its Providence, Rhode Island, premiere on August 10, 2010, at
Veterans Memorial Auditorium, as the opening-night feature
presentation of the Rhode Island International Film festival. The
Newport premiere was August 14, 2010. Gala parties followed both
screenings. PBS broadcast will follow the premieres.
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