JEEVES / TWEEDLAND / SUNDAYIMAGES
Wish you ALL a HAPPY NEW YEAR !
Jeeves/ António Sérgio Rosa de Carvalho
Sunday Images/ Gentlemen of the World, Unite! -
1 month ago
The Covert coat is very similar to the Chesterfield, but it was designed for hunting and the outdoors. Therefore, it had to be tailored from particularly sturdy material – the so-called Covert cloth, named after the covert bushes. It was designed to protect its wearer from mud, bush encounters, and of course the weather. For that reason, it had to be very heavy (29 or 30 ounces a yard), sturdy, and durable. Today, the fabric is not quite as heavy anymore, but it is still a tweed material made to last. It always comes in a brownish-green color because it does not show the dirt very much.
A Covert coat usually has the following:
Single-breasted with a fly front
Made of brown-green Covert cloth
Short topcoat that is just a little longer than the jacket beneath
Signature four (sometimes five) lines of stitching at the cuffs and hem, and optionally on the flap of the chest pocket
Two flap pockets with optional ticket pocket
The collar is constructed either of Covert cloth or velvet
Poacher’s pocket (huge inside pocket that can accommodate a newspaper or an iPad)
Marie-Laure de Noailles, Vicomtesse de Noailles (31 October 1902 – 29 January 1970) was one of the 20th century's most daring and influential patrons of the arts, noted for her associations with Salvador Dalí, Balthus, Jean Cocteau, Ned Rorem, Man Ray, Luis Buñuel, Francis Poulenc, Wolfgang Paalen, Jean Hugo, Jean-Michel Frank and others as well as her tempestuous life and eccentric personality. She and her husband financed Ray's film Les Mystères du Château de Dé (1929), Poulenc's Aubade (1929), Buñuel and Dalí's film L'Âge d'Or (1930), and Cocteau's The Blood of a Poet (1930)