Saturday, 18 April 2026

ARUNDELLS: From Decay to Prime Ministerial Sanctuary Salisbury


Arundells, located in Salisbury's Cathedral Close, is a 13th-century medieval canonry transformed from a dilapidated state into the cherished home of former Prime Minister Sir Edward Heath. Purchased by Heath in 1985, this Grade II*-listed building serves as a curated sanctuary, displaying his extensive art collection, political memorabilia, and musical interests.

 

A History of Transformation

Medieval Origins: Originally constructed around 1213 as a canonry, the house retains its medieval foundation.

18th Century Facade: The building received a comprehensive rebuilding in 1718, resulting in its current Queen Anne classical appearance.

Neglect and Restoration: After periods of decline in the mid-20th century, the house was extensively restored after being purchased by Robert and Kate Hawkins, before Ted Heath bought the leasehold in 1985.

 

The Prime Ministerial Sanctuary

Sir Edward Heath (Prime Minister from 1970–1974) lived at Arundells from 1985 until his death in 2005.

 

Eclectic Collection: The house acts as a time capsule, showcasing paintings by Winston Churchill and John Singer Sargent, Chinese ceramics, Japanese prints, and cartoons.

Personal Interests: It features his Steinway piano and significant sailing memorabilia from his times as an accomplished yachtsman.

Walled Garden: The property includes two acres of gardens that stretch to the confluence of the rivers Avon and Nadder.

 

Visiting Arundells

Charitable Trust: Heath bequeathed the house to the Sir Edward Heath Charitable Foundation to allow public access.

Opening Times: It is generally open to the public, offering guided tours of the house and access to the gardens.

Location: Situated at 59 The Close, Salisbury, offering stunning views of the Cathedral.


1 comment:

MELODY JACOB said...

A fascinating example of how a historic building can be carefully preserved while also reflecting the life of its most recent inhabitant. The blend of medieval structure, Queen Anne façade, and Sir Edward Heath’s personal collection gives Arundells a layered character that feels both historical and intimate.