Saturday, 27 June 2026

Royals Have No Savings: Why MPs Approved £369m Palace Refurbishment | Baroness Margaret Hodge

The king, his millions, and the first public royal tax bill | The Latest

 

Now we know how much tax King Charles pays, and it is very little

 


Analysis

Now we know how much tax King Charles pays, and it is very little

Juliette Garside

The monarch’s declaration does not tell us much, except that his bill is lower than for people with much smaller fortunes

 

Fri 26 Jun 2026 18.23 BST

https://www.theguardian.com/uk-news/2026/jun/26/now-we-know-how-much-tax-king-charles-pays-and-it-is-very-little

 

The veil of secrecy that surrounds the royal finances was nudged aside a little on Thursday to allow the release of a new piece of information. We learned for the first time how much the king’s annual tax bill comes to.

 

This was not a full tax return. It was a two-sentence declaration, stating his tax payable amounted to £12.9m in 2024-25, and a slightly smaller sum the year before. His total tax payable since accession comes to £30m.

 

It has been a long time coming. Unlike other citizens, the monarch is not liable for tax, but the king and his mother before him started paying it voluntarily in 1993.

 

The declaration was short on detail. We don’t know what his total income was for those years. We don’t know the total value of his private fortune. And we have no idea how much his tax bill was reduced by for expenses such as those incurred performing royal duties.

 

The small nugget of new information has brought to light one startling fact though. The king’s tax bill is low, even when compared with those who have smaller fortunes.

 

Thanks to painstaking investigations by the Guardian, in its 2023 cost of the crown series, the king’s private wealth, known as the privy purse, is estimated to be at least £1.8bn. This includes the Duchy of Lancaster estate – a £690m land and property portfolio handed from one monarch to the next and which provides him with income of £25m a year; and an even larger pile of other assets, such as cars, jewels, art and the private residences of Balmoral and Sandringham. We have very little idea how much the king holds in financial investments, or what the revenues from these are.

 

The tax the king pays covers all of the privy purse, all £1.8bn or more of assets.

 

Because we don’t know the total income, we are not able to check what the king’s effective tax rate is, but comparisons with other taxpayers raise questions.

 

A scan of this year’s Sunday Times tax list shows that the hedge fund boss Suneil Setiya, also estimated to be worth £1.8bn, paid £114m in annual tax. This is 10 times the sum the king paid in 2023-24.

 

The musician Ed Sheeran, whose fortune at £410m is a fraction of the king’s, paid £20m to HMRC. The author JK Rowling, worth an estimated £975m, was billed £47m on her earnings and gains.

 

Even the Manchester City footballer Erling Haaland, who is Norwegian, pays more than the king – his most recent tax bill was £17m.

 

Without more information about the size and shape of the privy purse, it is impossible to say why the king’s bill is so low.

 

What we do know is that the Duchy of Lancaster is not liable for the kinds of taxes that might be paid by a company or a trust. The capital gains made by buying and selling property, and the rents received from tenants, can all accumulate and be reinvested tax free, allowing the king’s wealth to grow more quickly than that of his subjects.

 

The privy purse could be described as operating like a mini-tax haven. The assets held by the duchy are untaxed, while the king’s other holdings are undeclared. The palace says the king voluntarily pays capital gains on his privately held wealth, and that the accounts are externally audited each year. They say this part of his personal holdings remains private, as for any other citizen. But no other citizen has such discretion over the tax they choose to pay.

 

The palace was approached for comment.

Thursday, 25 June 2026

.The new UK Olympic kit / REMEMBERING CHARRIOTS OF FIRE and the Great Milena Canonero ..



 
 
The new UK Olympic kit looks something straight outta Sports Direct

The GB olympic kit is absolutely revolting. Looks like something co-designed between Lonsdale and Tommy Robinson.
pic.twitter.com/tEWAY8x9Mz

These are just some of the remarks which are going around in the net concerning the kit designed by Stella McCartney . Let's just revisit this post by Tweedland and get some real references about heraldic/s and sense of representation and circumstance
JEEVES

REMEMBERING CHARRIOTS OF FIRE and the Great Milena Canonero ...

Born in Turin, Italy, Canonero studied art, design history and costume design in Genoa. She then moved to England, where she began working in small theatre and film productions. While designing for commercials in London, she met many film directors.

Her first major film work as a costume designer was in Stanley Kubrick's A Clockwork Orange (1971) after having met Kubrick on the set of 2001: A Space Odyssey (1968). She worked with Kubrick again on Barry Lyndon (1975), for which she won her first Oscar with Ulla-Britt Söderlund, and The Shining (1980). Her second Oscar win was for Chariots of Fire (1981), directed by Hugh Hudson.

Canonero has also designed the costumes for several stagings directed by Otto Schenk, such as Il trittico (Puccini, Vienna State Opera 1979), As You Like It (Shakespeare, Salzburg Festival 1980), Die Fledermaus (Strauss, Vienna State Opera 1980), Andrea Chénier (Giordano, Vienna State Opera 1981), and Arabella (Strauss, Metropolitan Opera 1983). For director Luc Bondy she created the costumes for new productions of Puccini's Tosca (Metropolitan Opera, 2009), and of Euripides' Helena (Burgtheater, Vienna, 2010).

In 1986, Canonero became the costume designer for the television series Miami Vice.

In 2001, Canonero received the Career Achievement Award in Film from the Costume Designers Guild. In 2005, Canonero won the guild's award for excellence in contemporary film for her work on Wes Anderson's The Life Aquatic with Steve Zissou (2004). She won her third Oscar for Sofia Coppola's Marie Antoinette (2006).

Canonero reteamed with Anderson in 2014 on The Grand Budapest Hotel, for which she received her ninth nomination and fourth win at the 87th Academy Awards. She also won a BAFTA award for her work on the film




















The Real Chariots Of Fire