Murder in
the House of Ullens: The fall from grace of one of Belgium’s richest families
Police say a
dispute over money is behind the shooting of Baroness Myriam Ullens.
By NICOLAS
CAMUT
in Ohain,
Belgium
Photo-illustrations
by Beatrice Caciotti for POLITICO
January 27,
2025 4:02 am CET
https://www.politico.eu/article/myriam-ullens-baroness-murder-trial-baron-nicolas-guy-belgium-ohain/
On a cold
and overcast morning in March 2023, Nicolas Ullens sat in a van outside his
family’s estate, in a plush suburb an hour’s drive from Brussels.
Nicolas,
then 57, had come to ask his father, the Baron Guy Ullens — once one of the
richest men in Belgium — for money.
The baron
had refused.
A short time
later, 70-year-old Myriam Ullens, his father’s second wife, drove out of the
estate at the wheel of a Volkswagen Golf, her 88-year-old husband in the
passenger seat.
Nicolas was
waiting in the van, his handgun loaded. As the Golf passed the gate of the
property, he blocked their way. He got out of the van, walked up to the
driver’s window and fired six bullets, killing his stepmother and injuring his
father.
Half an hour
later, he turned himself in at a nearby police station and confessed to the
crime.
Those are
the facts of the day that marked the end of Myriam’s life.
What
followed was a battle of narratives. They featured many storylines: a declining
empire of colonial riches; scrambles up (and down) the social ranks; a
caricatured stepmother; a failed whistleblowing attempt; all taking place in an
elite game of reputations and fortunes, jealousy and control.
The
perpetrator, the witness, the family, the lawyers, the press and the public
have all argued their sequences of events that led up to this critical morning.
In the
coming months, each author’s variation will be played out on the austere stage
of a criminal court in the Belgian city of Nivelles, where Nicolas is set to
stand trial.
Myriam, for
her part, will not have that luxury.
Act 1: The
Inheritance
In the
Belgian aristocracy, a family’s standing is determined by three things: rank,
money and how far back its lineage can be traced. The Ullens can count on the
last two.
Originally a
family of wealthy merchants and financiers from the port city of Antwerp, the
Ullens were ennobled in 1693, when Belgium was under Spanish rule — meaning
that their title is older than their country.
That title
was awarded by Charles II, king of Spain, “a source of great pride for the
family,” according to Jean-François Houtart, the author of a book tracing the
history of Belgium’s most ancient families.
This makes
the Ullens part of the Belgian nobility’s inner circle. There are roughly 1,200
aristocratic families in Belgium, a total of 32,500 people — but only about 350
families were already noble before the French Revolution.
“In the
Belgian pantheon, the Ullens family ranks high,” said Houtart. “It’s quite a
prestigious family, but mostly because it has money.”
The Ullens
built their wealth at a time when Antwerp was the main trading center for
colonial goods in Europe. Ships docked there to unload their precious cargoes
of spices and sugar, cultivated by slaves, in the city’s warehouses.
Guy Ullens,
born in 1935, inherited part of that fortune. In the 1980s, the
baron-turned-businessman headed up the sugar producer Raffinerie Tirlemontoise,
which had a quasi-monopoly on Belgium’s beetroot sugar refining industry.
In 1989, the
firm was sold for €1.25 billion to a German company. Perhaps sensing the times
were changing, the family holding moved away from sweets; instead, in 1999, it
took over the American diet giant WeightWatchers.
By 2014,
Guy’s personal fortune was estimated at over €3 billion, which he’d splashed on
lavish properties — in China, the United States, an upscale Swiss ski resort,
the swanky French sea town of Saint-Tropez and Belgium — and art.
In the
2000s, the baron’s art collection had grown to become one of the largest in the
world. Some of it was stored in Geneva, Switzerland — but many pieces were
showcased in the Ullens Center for Contemporary Art in Beijing, the first
contemporary art museum in China. It was inaugurated in November 2007, a few
months before the 2008 Beijing Olympics, and quickly attracted illustrious
guests such as the freshly elected French President Nicolas Sarkozy as well as
Prince Philippe, heir to the Belgian throne.
With this
growing prestige came additional distinctions. In 2010, during Sarkozy’s
presidency, Guy was awarded the rank of knight of the French Légion d’honneur.
However,
much of the baron’s wealth relied on the family holding’s golden goose,
WeightWatchers, which had gone public in 2001.
And as the
share price of the U.S. weight loss giant plunged, so did the baron’s fortune,
which is currently valued at between €200 and €300 million.
He sold a
yacht for about €18 million in 2015, as well as the Saint-Tropez property,
according to Le Monde, then auctioned off parts of his art collection. The
Beijing museum soon followed.
In just a
decade, Guy’s wealth had been reduced to a tenth of his former affluence.
Act 2: The
Lovers
But Guy had
not been enjoying his riches alone.
At the turn
of the millennium, at 64, Guy married Myriam Lechien, then 46. It was his
second wedding, her third, and the conclusion of an affair that had been going
on for eight years.
The daughter
of a Belgian army officer, Myriam was born in Germany, where her father was
stationed during her childhood.
A single
mother, she had raised two children from her first marriage on her own. In the
1980s, while Guy was running the largest sugar business in the country, she was
making pastries in her kitchen and delivering them to restaurants.
Guy and
Myriam Ullens attend an event of their foundation in London in 2013. Next, the
visits of Belgian King Philippe and Queen Mathilde and then-French President
Nicolas Sarkozy to the Ullens’ Beijing museum in 2007. | Nick Harvey/WireImage
for Mimi Foundation, François Mori and Frederic J. Brown/AFP via Getty Images
She met Guy
when her business was taking off and she was looking for an associate. “It was
love at first sight … I didn’t even know that was possible,” she later told
French public broadcaster France 2.
For most of
the year, Guy and Myriam — or “Mimi,” as she was known — lived in a fancy Swiss
ski resort where the Belgian royal family regularly stays in the winter.
“Our main
‘houses’ are a plane and a boat,” Guy told The Wall Street Journal in 2013.
Myriam’s
pastry days were long gone — she had sold the business during her affair with
Guy — and she took on a new set of activities, which included the launch of a
high-end fashion brand, Maison Ullens, in 2009.
In Belgium’s
cloistered high society, the flamboyant couple quickly became the talk of the
town, with much of the chatter focusing on Mimi.
“When a
woman marries a wealthy man … tongues begin to wag,” said Hugo Strachwitz, a
British nobleman familiar with the practices of Europe’s aristocratic circles.
“As a … relatively new arrival within society, one of the quickest ways to gain
acceptance is by dispensing as much charity as possible.”
Myriam, who
had “always dreamed of doing charity work,” asked the baron to finance schools,
orphanages and a maternity center in Nepal. After beating breast cancer, she
opened a foundation helping cancer patients in Belgian, French and Swiss
hospitals.
Despite her
best efforts, however, Mimi never seemed to gain acceptance in the muffled
world of the Old Continent’s aristocracy.
For
newcomers like her, “an amount of humility is expected that she did not
exercise,” said Strachwitz. “Being outspoken is never a good way to enter a new
community.”
In a 2015
interview with Europe 1, Myriam said her new life as a billionaire’s wife came
with its share of issues. “You have just as many problems when you’re rich as
when you’re poor, but it’s different,” she said. “The problems are different.”
Act 3: The
Son
Nicolas
Ullens, one of four children from Guy’s first marriage, was facing his own
challenges.
For over a
decade, Nicolas had worked for the Belgian civil intelligence service, a
prestigious position — albeit in the shadows — suited to the son of a
well-respected family.
But in 2018
he resigned, later claiming to have uncovered a money laundering and corruption
scheme as part of his work as an intelligence officer. The network’s apparent
masterminds were Didier Reynders, at the time Belgium’s foreign minister, and
his longtime adviser and right-hand man for over 20 years, Jean-Claude
Fontinoy, Nicolas asserted.
Claiming to
be a whistleblower, he published several videos backing up his theories on
YouTube and a separate video channel, and defended his claims in the Belgian
press.
In an
11-minute clip entitled “The adventures of Didi and Fonty — shady business in
Kinshasa,” Nicolas, facing the camera, claimed to have found irregularities in
the construction of a new Belgian embassy in Congo — a former Belgian colony —
for which he said Reynders and his adviser bore responsibility.
Nicolas went
to the police with his findings. These were investigated by the Brussels public
prosecutor’s office, which closed the case a few weeks later due to the lack of
evidence against Reynders.
In the
meantime, Reynders had been nominated to serve as Belgium’s European
commissioner, and was ultimately awarded the justice portfolio. Contacted by
POLITICO when he was still commissioner, Reynders’ Cabinet declined to comment
on the legal proceedings.
When
discussing the Nicolas Ullens case after Myriam’s murder, Reynders looked
confident, “serene,” one of his former advisers recalled. “He simply told me
that [Nicolas] Ullens was ‘a madman who, besides, had murdered his
mother-in-law.’”
Fontinoy,
the other person accused by Ullens, told POLITICO he was “never” approached by
prosecutors in the case.
“I have
nothing to answer” to Nicolas’ accusations, he said. “I’ve never met him, I’ve
never spoken to him.”
That case
cost Nicolas his job, his reputation and nearly landed him in jail. In January
2021, the Brussels prosecutor’s office opened an investigation against him for
breaches of professional secrecy. The prosecutor’s office told POLITICO the
investigation is ongoing.
Between the
family’s business activities taking a sour turn and his father and stepmother’s
grand lifestyle, Nicolas’ fortune was slowly melting away.
Act 4: The
Press
The day
after Myriam’s killing, the local prosecutor’s office issued a statement saying
the suspected killer had justified his deed “in the context of a family
dispute, notably of a financial order.”
The gruesome
details of Myriam’s murder were splashed all over the national press, on both
sides of Belgium’s language barrier. The baron’s wealth and notoriety as a
patron of the arts also earned his deceased wife a eulogy in The New York
Times.
Yet it
wasn’t long before the tone began to change. Before the murder, references to
the Ullens in the media had been sparse, limited to millionaires’ rankings or
gushing coverage of Guy’s passion for the arts and Myriam’s charity work
(sometimes mixed with laudatory accounts of their love story).
As
journalists seized on this Belgian noir, gorging on the macabre details of a
case that seemed ripped from a true crime novel, the story began to focus not
on the misdeeds of the alleged murderer — but on his victim.
In leaked
excerpts from the suspected shooter’s police questioning and testimonies from
relatives, Myriam was depicted as a manipulative stepmother scheming to keep
the family’s billions to herself, and blamed for frittering them away.
Nicolas
complained of his “awful stepmother” whom he accused of diverting the family’s
money toward her two adult children from a previous marriage, at the expense of
the baron’s four biological children.
In an
interview with Belgian daily Het Nieuwsblad published two days after the
murder, Brigitte Ullens, Nicolas’ sister, accused Myriam of “want[ing]
everything for herself” and “destroy[ing]” the family.
The funeral
of Myriam Ullens in Ohain on April 7, 2023. Next, journalists during the
ceremony and a security perimeter during a reconstruction of the murder scene
in May 2023. | Nicolas Maeterlinck/Belga via Getty Imagess
In another,
published by Het Laatste Nieuws several months later, the former wife of
Myriam’s son claimed she had been a “manipulator” who “played with people like
Lego blocks.”
Laurent
Kennes, the lawyer for Myriam’s children, said the media frenzy portraying the
baron’s wife as a “venal stepmother” was “very, very shocking.” He refuted
claims that she had taken advantage of the family’s wealth, saying the baron
“gave to everyone,” his four children and two stepchildren.
“Since when
is it a motive for murder, or even for blame, to accept money from your
husband?” the lawyer asked.
Since
October 2023 and his release after nearly six months in jail, Nicolas has lived
under house arrest. He has to wear an electronic bracelet while awaiting trial,
which likely will not start until next year. The court where the trial is to
take place is facing a shortage of clerks.
In several
months’ time, from the dock of the accused, Nicolas will have to face his
father, who has chosen not to speak publicly since the murder. Days after the
shooting, Guy filed a civil lawsuit against his son.
The court
and the 12 jurors will have to assess whether the murder was premeditated —
which Nicolas denies.
Nicolas’
lawyers declined to comment before the trial. In April 2023, shortly after the
murder, his legal team spoke to Le Soir.
“Of course,
in wealthy families, money is the source of a lot of tension, but this case is
not just about money, it’s about human relationships,” said Dimitri De Beco,
one of his lawyers. “It’s much more complex than that, we’d like to bring that
up during trial.”
Dozens of
witnesses, including many family members, are expected to take the stand during
the trial. The testimonies from Nicolas’ siblings, his father, Myriam’s
children and grandchildren as well as family friends who can attest to the bond
(or lack thereof) that the baron and Myriam shared, will lay bare the family’s
divisions.
The
personalities and characters of Myriam and Nicolas, as presented by the
witnesses picked by both sides, will also be crucial elements of the
proceedings.
When the
trial eventually starts, all of the case’s protagonists will have the chance to
say their piece. All but one: Myriam, who was buried in April 2023.
April 10, 2023: Myriam
Ullens, 70, Philanthropic Baroness, Is Killed
A stepson
was held on charges of shooting her over family money. She started institutions
in Belgium, Nepal and China, including a major museum in Beijing.
Alex Traub
By Alex
Traub
Published
April 10, 2023
Updated
April 11, 2023
https://www.nytimes.com/2023/04/10/arts/myriam-ullens-dead.html
Myriam
Ullens, a pastry chef who married a billionaire Belgian aristocrat and turned
his fortune into a globe-spanning source of philanthropy, was fatally shot on
March 29 in Ohain, a village in the Walloon Brabant province of central
Belgium. She was 70.
Her stepson
Nicolas Ullens presented himself to the local police and said he had killed Ms.
Ullens, the province prosecutor’s office said. The authorities seized a handgun
from him and proceeded to the home of Ms. Ullens and her husband, Guy Ullens,
where they found her dead in a Volkswagen and Mr. Ullens beside her, in a state
of shock, with a wounded leg.
According to
the prosecutor’s statement, Nicolas attributed his actions to a family fight
over money and said that moments before he shot his stepmother he had been
arguing with her and his father at their home and had been asked to leave. He
was being held in jail and has been charged with premeditated murder and
violating weapons laws, the prosecutor’s office said.
Ms. Ullens’s
death was a sordid end to a life that had seemed like a fairy tale, or at least
a fairy tale in the age of global capitalism.
In the early
1990s, Ms. Ullens (pronounced YU-lens) was raising two children on her own and
seeking investors so that she could expand her small pastry business, which had
shops in Brussels and Waterloo, Belgium. She arranged a meeting with Mr.
Ullens, a titled baron and married father of four who had recently sold his
family’s beet sugar refinery for $1 billion.
When the
door opened and he appeared, Ms. Ullens experienced a “coup de foudre” — a
French expression that equates love at first sight with a thunderbolt — she
told the French magazine Madame Figaro in 2014. “He is my Pygmalion, the man
whom I love and who made me break out of my shell,” she said.
Mr. Ullens,
in a 2014 interview with The Kathmandu Post, fondly described her as the “queen
of pastry” with a passion for charity.
In 1999,
after Mr. Ullens divorced his wife, he married Myriam. The same year, his
family firm, Artal, bought Weight Watchers for $735 million in what Forbes in
2018 called “one of the best private equity deals ever.”
“Guy asked
me to quit my company,” Ms. Ullens told Global Citizen magazine in 2015. “I
accepted, but told him I was going to get involved in philanthropy instead.”
In 2000, Mr.
Ullens — whose full surname, which he often abbreviated, is Ullens de Schooten
Whettnal — retired from business, missing out on billions in potential future
earnings, according to Forbes. With his new wife, he put his fortune in service
to a charitable spending spree.
The
Ullenses’ most remarkable project, opening in 2007, was the Ullens Center for
Contemporary Art in Beijing.
It “was the
first international-standard museum in China dedicated to contemporary art,”
Alexandra Munroe, senior curator of Asian art at the Guggenheim Museum in New
York, said in an interview. “It had capacity in scale that no other museum in
China had at the time of its opening, and that very few have even reached since
then.”
The museum’s
first exhibition, “’85 New Wave: The Birth of Chinese Contemporary Art,” helped
establish a new canon in art history. At the same time, the museum brought to
China the work of foreign artists like Robert Rauschenberg.
The idea for
the museum arose from Mr. Ullens’s years of travel to China as a businessman,
and from the passion for China he shared with his wife.
“When we
started going there in the early 1990s, Chinese contemporary art was not as
fashionable,” she told Global Citizen.
“Artists hid
themselves in the aftermath of 1989,” she added, referring to the violent
crackdown on pro-democracy protests at Tiananmen Square. “We would visit them
in very hidden places, looking at the paintings with a torch in a staircase or
a parking lot.”
In 2017, the
Ullenses sold the museum to Chinese investors in a deal put together by Lunar,
a Shanghai private equity firm. Since then, its internationalist spirit has
persisted. From this past October to January it presented “Somewhere Downtown:
Art in 1980s New York,” an exhibition that included more than a dozen works by
Jean-Michel Basquiat and Keith Haring.
The
institution has also grown; it now includes three buildings throughout China
that draw more than a million visitors a year. Its success has inspired several
of the museum’s Chinese benefactors to open art institutions of their own,
Philip Tinari, the U.C.C.A.’s director, said in an interview.
Myriam
Lechien, who was also known as Mimi, was born on Sept. 23, 1952, in Cologne, in
what was then West Germany, where her father, Paul, a colonel in the Belgian
Army, was stationed. Her mother, Monique (de Drijver) Lechien, was a homemaker.
Her parents
sent her to a boarding school in Belgium near the country’s border with West
Germany. On a trip home, she met a young Belgian soldier named Roger Lemaire,
who, like her father, was stationed in West Germany. She married him when she
was 18.
The couple
had two children, Gilles and Virginie, but divorced when Myriam was in her
mid-20s. A second marriage, to Christian de Moffarts, a conference planner,
also ended in divorce. In the late 1980s, she began baking pastries in the
kitchen of her home and delivering them to restaurants.
Nevertheless,
she still found time and energy to try to help those less fortunate than her.
She began visiting Nepal after a friend told her that it was an affordable and
practical place for charitable endeavors. Her fledgling efforts to help
children with poor or absent parents culminated, after she met Mr. Ullens, in
her establishment of an orphanage outside Kathmandu, the nation’s capital.
Nearby, the baron and baroness also built the Ullens School, which offers an
international baccalaureate curriculum.
Her other
projects included the Mimi Foundation, which created support systems for cancer
patients in French and Belgian hospitals; Club des Combins, an organization
that provides insurance to the mountain guides of Verbier, an alpine Swiss
resort; and Maison Ullens, a clothing line that aims at “the perfect travel
wardrobe,” according to its website, with stores in Paris, New York and Aspen,
Colo.
The European
press described the Ullenses as friendly with European aristocrats like Prince
Charles and Belgium’s king and queen. Their travel between Switzerland, China,
France, Belgium and the Maldives led Mr. Ullens to tell The Wall Street Journal
in 2013, “Our main ‘houses’ are a plane and a boat.” He complained about the
lack of wall space in their Swiss chalet for hanging their art.
Since the
fatal shooting, the Ullenses’ munificence and glamour have been scrutinized and
gossiped about in the Belgian news media. Nicolas Ullens was already a figure
of some notoriety as a former Belgian intelligence officer who in recent years
had made dramatic accusations of government corruption. Following Mimi’s
killing, Nicolas’s sister, Brigitte Ullens, has publicly defended his character
and accused their stepmother of financial selfishness and of dividing the
family.
In addition
to Nicolas and Brigitte Ullens, Ms. Ullens is survived by her husband; a
brother, Philippe; a sister, Geneviève Lechien; her children from her first
marriage; two more stepsons; five grandchildren; and many step-grandchildren
and step-great-grandchildren.
One factor
inspiring the Ullenses to build so many institutions was the pleasure they took
in starting something new together, Laurent Degryse, the husband of Ms.
Ullens’s daughter, Virginie, said in a phone interview.
“They would
wake up in the middle of the night, prepare jasmine tea and start a whole
conversation,” he said. “At the end of the night, the project would have taken
another turn.”
Koba
Ryckewaert contributed research.
Alex Traub
works on the Obituaries desk and occasionally reports on New York City for
other sections of the paper. More about Alex Traub
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