.The new UK Olympic kit / REMEMBERING CHARRIOTS OF FIRE and the Great Milena Canonero ..

 

 

The new UK Olympic kit looks something straight outta Sports Direct

https://twitter.com/anouj?ref_src=twsrc%5Etfw

The GB olympic kit is absolutely revolting. Looks like something co-designed between Lonsdale and Tommy Robinson.

pic.twitter.com/tEWAY8x9Mz

These are just some of the remarks which are going around in the net concerning the kit designed by Stella McCartney . Let's just revisit this post by Tweedland and get some real references about heraldic/s and sense of representation and circumstance

JEEVES

REMEMBERING CHARRIOTS OF FIRE and the Great Milena Canonero ...

Born in Turin, Italy, Canonero studied art, design history and costume design in Genoa. She then moved to England, where she began working in small theatre and film productions. While designing for commercials in London, she met many film directors.

Her first major film work as a costume designer was in Stanley Kubrick's A Clockwork Orange (1971) after having met Kubrick on the set of 2001: A Space Odyssey (1968). She worked with Kubrick again on Barry Lyndon (1975), for which she won her first Oscar with Ulla-Britt Söderlund, and The Shining (1980). Her second Oscar win was for Chariots of Fire (1981), directed by Hugh Hudson.

Canonero has also designed the costumes for several stagings directed by Otto Schenk, such as Il trittico (Puccini, Vienna State Opera 1979), As You Like It (Shakespeare, Salzburg Festival 1980), Die Fledermaus (Strauss, Vienna State Opera 1980), Andrea Chénier (Giordano, Vienna State Opera 1981), and Arabella (Strauss, Metropolitan Opera 1983). For director Luc Bondy she created the costumes for new productions of Puccini's Tosca (Metropolitan Opera, 2009), and of Euripides' Helena (Burgtheater, Vienna, 2010).

In 1986, Canonero became the costume designer for the television series Miami Vice.

In 2001, Canonero received the Career Achievement Award in Film from the Costume Designers Guild. In 2005, Canonero won the guild's award for excellence in contemporary film for her work on Wes Anderson's The Life Aquatic with Steve Zissou (2004). She won her third Oscar for Sofia Coppola's Marie Antoinette (2006).

Canonero reteamed with Anderson in 2014 on The Grand Budapest Hotel, for which she received her ninth nomination and fourth win at the 87th Academy Awards. She also won a BAFTA award for her work on the film