Saturday, 19 September 2026

Jeeves will be away ... for a period of 8 days.



TWIGGY - Official Trailer (2026) Documentary


Forever Twiggy

 

The face of London in the 1960s is living her best life at the age of 77.

 



Rhonda Garelick

By Rhonda Garelick

Published Sept. 16, 2026

Updated Sept. 17, 2026, 1:35 p.m. ET

https://www.nytimes.com/2026/09/16/style/twiggy-documentary.html

 


When 16-year-old Lesley Hornby, the British model known for her skinny frame, freckles, blond pixie cut and blue eyes fringed with heavy false lashes, was discovered in 1966 by a fashion editor, her look hit like a lightning bolt.

 

Twiggy, as she was instantly renamed, was nothing like the models popular at that time — sultry, mature, upper class-coded women like Jean Shrimpton. She was from a working-class family — her father was a carpenter. At 5-foot-6 she was petite and almost childlike.

 

“I didn’t look like the models of that day,” Twiggy, now nearly 77, said over coffee last week at Bottino restaurant in Manhattan. “Girls from working-class families didn’t become models.”

 

But a new era was dawning in the 1960s; music and fashion were all about youth, openness and social mobility. Twiggy seemed to embody London’s youthquake, and its mod scene, telegraphing fresh energy and new possibilities.

 

Twiggy’s famous face launched a thousand commodities, a marketing tool for cosmetics, clothes and lunch boxes. But her real-life story, which unfolds in the director Sadie Frost’s thoughtful 2025 documentary, “Twiggy: The Woman Behind the Icon,” which arrives in America this month, continued long after the youthquake subsided.

 

An Unusual Celebrity Story

It’s easy to see traces of the young Twiggy in her still youthful face. Her hair remains blond; bangs still frame her blue eyes. And she still goes by the moniker Twiggy.

 

Aging doesn’t bother her. “I don’t spend a lot of time thinking about what I look like,” she said. “If you start getting into that, about, ‘Oh my God, I’ve got this wrinkle and that wrinkle…’” She trailed off, but her point was clear: She is comfortable in her skin.

 

Rather than flatten herself to fit her cartoonlike status, Twiggy used fame to explore myriad art forms over a 60-year career, including film, theater, fashion design, dance and singing, proving gifted at all of them.

 

After four years as a model, working with photographers including Barry Lategan (whose early photos first got Twiggy noticed), Cecil Beaton, Bert Stern, Richard Avedon and Helmut Newton, she moved on to cinema. The director Ken Russell was so impressed with her that, although she had no acting, singing or dancing experience, he cast her as the lead in his 1971 film musical, “The Boy Friend,” opposite co-stars Christopher Gable, who’d danced with the Royal Ballet, and Tommy Tune, already a Broadway star. Russell sent her to singing and dance classes, which she plunged into with enthusiasm.

 

She learned to tap in a year. “It was harder for Chris Gable to learn tap than for me, because ballet dancers do everything turned out,” she said, remembering with a laugh that she’d had an advantage in this over her professional ballet star colleague.

 

That film role earned Twiggy two Golden Globes. She went on to star on the London stage and appeared in dozens of films and television shows. She recorded albums and designed fashion lines. In 1983, she co-starred with her old friend Tommy Tune in a Broadway revival of the Gershwin musical, “My One and Only,” which earned her a Tony nomination.

 

“He’s another one who changed my life,” she said of Tune. “He always takes my breath away. He’s elegance personified.”

 

Frost’s documentary shows Twiggy coping with crowds lunging toward her, talk show hosts leeringly asking about her body, and even an interview, while still a teen, with Woody Allen, who badgers her with condescending questions, including “Who’s your favorite philosopher?” Twiggy met every situation with polite but firm answers. “Who’s your favorite philosopher?” she asks Allen, stunning him into silence.

 

Poised and Protected

What explains such poise? Twiggy’s eyes filled as she gestured heavenward and replied, “One hundred percent Norman,” referring to the father she adored. “Dad became my rock when Mum would go into hospital,” she explained. Nell Hornby struggled with mental illness throughout Twiggy’s childhood, disappearing periodically into psychiatric wards, leaving Norman to care for their three daughters. (Twiggy was the youngest.) “He kept me kind of away from it,” she said. “Protected.”

 

Perhaps even more important was the steadfast love Norman showed his ill wife. Twiggy recalls that, when asked why he “put up with Nell,” Norman would simply say, “Because I love her.”

 

In addition to her father, she found a protector during her early modeling years in her then-boyfriend and manager, Justin de Villeneuve, who despite his evident peccadilloes, kept her safe. “He looked after me,” she said. “I was a kid, but nobody touched me.”

 

Twiggy weathered other storms over the years, especially the sudden death of her first husband, the actor Michael Witney, when their daughter Carly was just turning five. Happily remarried for nearly four decades to the actor, writer and director Leigh Lawson, she’s a doting grandmother to Carly’s two children and surrounded by adoring friends, many of whom figure in Frost’s film, including Dustin Hoffman, Fran Drescher (whose show, “The Nanny” was inspired by her friendship with Twiggy), the actress Joanna Lumley, Paul McCartney and Stella McCartney (who designed the cream tuxedo Twiggy wore in 2019 to receive her damehood at Buckingham Palace).

 

The day we met she wore a cream blouse, maroon and cream patterned pants by Zara, white trainers and a maroon leather jacket from her erstwhile midpriced Twiggy line at Marks & Spencer. “I’m not a big high-end fashion buyer,” she said, adding: “I can’t wear high heels. I hate them.”

 

Her obvious ease with herself accounts for her ongoing appeal, to women in her own age bracket and even to very young people. The majority of Twiggy’s fan mail, which she answers herself, comes, she said, from 14- to 25-year-olds. This is likely due in part to the perennial interest in ’60s fashion, but it speaks also to the timeless quality of that “Twiggy” icon, or as she describes her image, “this little person who kind of sits on my shoulder and never goes away.”

 

Rhonda Garelick is the founding director of the Institute for Public Humanities and Arts at Hofstra University, where she is also a distinguished professor of literature. She is the author of “Mademoiselle: Coco Chanel and the Pulse of History,” the forthcoming “Why Fashion Matters” and other books.


Earl Spencer doubles down on claims about ‘monstrous’ call with Charles after Diana’s death

 


Earl Spencer doubles down on claims about ‘monstrous’ call with Charles after Diana’s death

 

Buckingham Palace has rebutted claim by Charles Spencer, Diana’s brother, that then prince told him ‘we’ll forget her soon enough’

 

Sammy Gecsoyler

Fri 18 Sep 2026 18.40 BST

https://www.theguardian.com/uk-news/2026/sep/18/earl-spencer-doubles-down-on-claims-about-monstrous-call-with-king-charles-after-dianas-death

 

Earl Spencer has doubled down on his bombshell claim that King Charles said of Diana, Princess of Wales, “rest assured, we’ll forget her soon enough” days after her death, saying he is telling the truth.

The alleged comments, revealed in Charles Spencer’s memoir, Swan Song: Diana, My Sister, which is being serialised in the Daily Mail, prompted Buckingham Palace to issue an extraordinary statement suggesting Diana’s brother had misremembered events, saying “the pain of fraternal grief can cloud reason, affect judgment and colour memory in ways others do not recognise”.

In an interview with the BBC, Spencer stood firm in his recollection, telling Laura Kuenssberg: “I can tell you here and now, those are exactly the words he said.”

Responding to the palace’s statement, Spencer said: “Well, is he furious? Is he furious, or is he embarrassed?” When asked about the inference that his memory was coloured, Spencer said: “They’ve sort of smudged that one, haven’t they? They’ve said that recollections may vary.”

Diana in a black dressView image in fullscreen

Diana died in a car crash in 1997, at the age of 36. Photograph: Simon Kreitem/Reuters

Spencer said the call was one of two he had with Charles in his lifetime and said he told his friends and family members at the time about the comment “because it was so monstrous”.

The alleged comment was revealed on Wednesday in an extract from the memoir published in the Daily Mail. The comment by the then prince was allegedly made during a heated argument over funeral arrangements. Spencer says it reflected Charles’s “pent-up contempt for Diana, and his horror that the world was so bowled over by her death”, the Daily Mail reported.

Earl Spencer, Prince William, Prince Harry and Prince Charles stand solemnly beside a hearse

Among other claims in the book are that Diana told a friend on the eve of her wedding to Charles that he said he was happy to marry her, but was not actually in love with her.

On Friday, the second extract from the memoir was published. Spencer writes Charles was “polite and formal” on the day of Diana’s funeral and says Prince Philip told him to look ahead while walking in unison alongside his nephews and former brother-in-law.

“It was hellish, entering that tunnel of grief, particularly because we were unable to put a face to it by looking at the individuals in the crowd,” said Spencer of the procession.

Philip, William, Spencer, Harry and Charles walking in Diana’s funeral processionView image in fullscreen

From left: Prince Philip, Prince William, Charles Spencer, Prince Harry and King Charles, then a prince, walking in Diana’s funeral procession. Photograph: Jeff J Mitchell/AP

In the extract released on Wednesday, Spencer says he insisted to Charles that Diana would not have wanted her sons, Prince William, then 15, and Prince Harry, then 12, to walk in her funeral procession. In the end, her sons walked behind her coffin, which William later called “one of the hardest things I’ve ever done”.

Spencer wrote that when one of Queen Elizabeth’s most senior aides told him in the days before the funeral that William and Harry would take part in the procession, he responded: “That’s not going to happen.”

But minutes later he received a phone call from Charles, who insisted it should. It was during the ensuing argument between the two men that Charles allegedly made the comment, with Spencer writing: “‘Rest assured,’” he hissed, ‘we’ll forget her soon enough!’”

Spencer wrote that he was stunned and took a few seconds to reply, writing: “‘I can’t believe you just said that,’ I said flatly, before hanging up.”

Spencer also claimed that Diana “never would have wanted” her sons to walk behind her coffin, to which Charles allegedly replied: “That’s the problem with your family. They’ve got no bloody sense of duty.”

Swan Song is due to be published globally next Tuesday – in the UK by Penguin Michael Joseph, a division of Penguin Random House.

Four copies of the Dutch-language edition were reportedly taken from a truck while it was en route from the Dutch publisher’s printers to their warehouse in the Netherlands.

Diana, who died aged 36 after a car crash in Paris in 1997, would have turned 65 on 1 July this year.

Buckingham Palace did not issue a statement responding to the BBC interview, but on Wednesday a spokesperson said: “While we do not comment on books as a matter of principle, His Majesty is mindful that the pain of fraternal grief can cloud reason, affect judgment and colour memory in ways others do not recognise, even many years after such a loss.”

 

Friday, 18 September 2026

Earl Spencer defends Diana book claims about King Charles | BBC News

 

Palace Response To Earl Spencer Is ‘As Polite And Elegant’ As Saying ‘You’re Lying’ | Valentine Low


Charles’s rebuttal of Earl Spencer’s claim about Diana offers rare glimpse into palace thinking

 

From ‘there were three of us in this marriage’ to ‘recollections may vary’, a lot can be conveyed with a carefully worded phrase

Caroline Davies

Caroline Davies

Thu 17 Sep 2026 15.47 BST

https://www.theguardian.com/uk-news/2026/sep/17/charles-earl-spencer-diana-royal-statements

 

As denials go, King Charles’s response to Earl Spencer’s allegations that Charles said after Diana’s death, “We’ll forget her soon enough”, was a masterclass in the diplomatic royal rebuke.

Rarely has Buckingham Palace responded to claims in countless books on royalty. But it was straight out of the block on this one.

Little over an hour after the Daily Mail, which is serialising Spencer’s memoir Swan Song about his sister, the late Diana, Princess of Wales, had published its first extract online, a statement was issued.

Charles, the headline claimed, had told Spencer days after Diana’s death and during a heated row over funeral arrangements: “Rest assured, we’ll forget her soon enough.”

The king’s swift countering, that “the pain of fraternal grief can cloud reason, affect judgment and colour memory in ways others do not recognise, even many years after such a loss”, will enter the canon of carefully constructed regal pushbacks.

Charles in the back seat of a carView image in fullscreen

Charles’s swift rebuke suggests the palace acknowledged the damage Spencer’s claim could do and needed to set the record straight. Photograph: Toby Melville/Reuters

As rebukes go, it is up there with the late Queen Elizabeth II’s “some recollections may vary” in response to a torrent of allegations from the Duke and Duchess of Sussex in their Oprah Winfrey interview.

Senior courtiers are often drawn from the diplomatic service and thus highly-skilled in couching the passive-aggressive denial. Deploying delicate language to devastating effect is a stock in trade at the Foreign Office.

But it is a weapon to be used sparingly. The royal mantra is, usually, “never complain, never explain”.

However, Charles’s former communications secretary Julian Payne said: “This is a much more personal situation, given its author, and therefore has a greater ability to do harm.”

That is why the palace “felt the need to set the record straight and deny these remarks have been made”, Payne told the BBC’s Today programme. Given the amount of things the palace don’t comment on, “you can imagine the strength of feeling”, he added.

Payne remains close to the king and was due to be sitting alongside him at Thursday’s AI summit just hours later, so the fact he felt able to speak so freely suggests his robust defence of Charles came with official sanction.

What is said behind palace doors usually remains private. The language may be less sensitive. But a carefully chosen phrase in public pulls back the privacy screen.

When Diana, in her highly controversial Panorama interview, said “there were three of us in this marriage, so it was a bit crowded”, she reaped public revenge on her then husband and Camilla.

In return, Diana found herself on the sharp end of Elizabeth’s ire weeks later. After Diana failed to respond to the queen’s request that the couple divorce, a palace spokesperson issued a statement: “After considering the present situation, the queen wrote to both the prince and princess earlier this week and gave them her view, supported by the Duke of Edinburgh, that an early divorce is desirable.” The matter was now, officially, out of Diana’s hands.

Harry and Meghan being interviewed by OprahView image in fullscreen

Harry and Meghan during their interview with Oprah in 2021, which led to the late queen’s ‘recollections may vary’ statement. Photograph: Reuters

White fury was behind the Duke and Duchess of Sussex’s statement in February 2021: “We can all live a life of service. Service is universal.” It was read as a succinct and direct challenge to the late queen’s insistence they could not keep their public service roles after stepping down as working royals.

Meghan was less direct in a 2019 interview with ITV’s Tom Bradby in which he asked her if she was OK juggling life as a royal with a newborn, Prince Archie. “Thank you for asking, because not many people have asked if I’m OK,” she replied. Was it directed at the palace and the institution? A huge number of the claims the Sussexes later made, in TV interviews and in Harry’s memoir Spare, were that the duchess had been unsupported throughout her time as a working royal.

One royal famously deficient in the art of the diplomatic royal rebuke, however, was the late Duke of Edinburgh. Philip was renowned for his gaffes. When a BBC journalist politely asked the queen at a banquet at the Élysée Palace if she was enjoying her stay in Paris in 2006, Philip dispensed with tact to snap: “Damn fool question!”

 


Earl Spencer’s Diana Claims Have ‘Torn’ The Royal Family Apart | Jennie Bond



Swan Song: Diana, My Sister

 

In Swan Song, Charles Spencer provides the most intimate, loving and honest portrait yet of his sister.

 

Beautiful. Beloved. Hunted. The extraordinary life and death of Diana, as told by her brother, Charles – available to pre-order now.

 

‘When asked, ‘What was it like, growing up with Diana?’, my first thought is always, But I don’t know what it was like not to grow up with her…’

 

In September 1997, Charles Spencer stood in Westminster Abbey before a watching world and shared his grief at losing his beloved sister, Diana. Now, nearly thirty years later, he tells the astonishing story of his life with Diana and the tragic week of her death.


Thursday, 17 September 2026

King hopes AI can be ‘in service to humanity’

JEEVES and his Garden.

This is our second garden where we live in the summer.

The whole garden was transformed into a small forest.

Greetings from JEEVES (António Sérgio Rosa de Carvalho)  


 










Wednesday, 16 September 2026

Remembering our first garden: A day in the garden, by JEEVES (António Sérgio Rosa de Carvalho)


 

A few years ago these images were taken at my daughter, Fleur , small house.

At present we have a small house of our own with a garden developed by my wife Trudie.

JEEVES. 




Tuesday, 15 September 2026

The battle to save the dying heart of rural France: the village bistro

 

The Sunday read France

The battle to save the dying heart of rural France: the village bistro

Kim Willsher in Saint-Martin-sur-Ouanne

A Kronenbourg sign hangs outside a French village café, with tiled roofs and red awnings beyond

‘People seem really happy it’s open again.’ The Au Bon Accueil restaurant in Saint-Martin-sur-Ouanne. Photograph: Ed Alcock/The Guardian

Once central to rural life, cafe-bistros are closing in the face of depopulation and falling alcohol consumption, but campaigners are seeking new ways forward

Sun 13 Sep 2026 05.00 BST

https://www.theguardian.com/news/ng-interactive/2026/sep/13/france-disappearing-bistros-rural-french-village

 

It is just past noon on a midweek day, and already every table at Au Bon Acceuil cafe-bistro in the northern Burgundy village of Saint-Martin-sur-Ouanne is taken.

The three-course lunch menu today – including a choice of a hefty chunk of steak with chips or a meaty lasagne – is just €18, but villagers are not only here for the food.

After an eight-month closure, the bistro, previously called Café de la Gare, recently reopened – and locals want it to stay that way.

“It’s so important to have a cafe-bistro in a village like this. We couldn’t let it stay closed,” said Nadia Letellier, the new manager. “And we’re doing well, as you can see. People seem really happy it’s open again.”

Nadine Letellier sitting at a cafe table looking out the windowView image in fullscreen

Nadine Letellier, the new manager of the Au Bon Accueil restaurant in Saint-Martin-sur-Ouanne. Photograph: Ed Alcock/The Guardian

Hervé Chapuis, a farmer and the village mayor, is part of the local council team that saved Saint-Martin’s last public-facing business since the boulangerie across the road closed eight years ago.

“People come here every morning to have a coffee and a chat,” he said. “Our aim is to keep this kind of business open to support the social fabric. It’s part of village life and people missed it. Now, village life has returned to its proper rhythm.”

France’s celebrated cafe-bistros are in trouble. In 1900 there were an estimated 500,000 such establishments; by the 1960s more than half had closed. Today, only about 30,000-40,000 remain and even they are reportedly shutting at a rate of two a day.

Alain Fontaine, who runs Le Mesturet bistro near Paris’s stock exchange, and who is president of France’s Association of Bistros and Cafes, says the closures leave rural communities deserted and villagers, especially elderly people, isolated.

“Every day, the art of living we enjoy in our bistros is gradually disappearing from our communities,” Fontaine said. “Villages are being left like deserts with no shops, no businesses, nothing. In losing our local bistros, cafes and restaurants, we are losing part of the French life balance.”

The reasons for the closures of what the 19th-century writer and statesman Léon Gambetta called “salons de la démocratie” or “people’s parliaments”, are economic and sociological. The number of people living in rural areas has declined over the last half a century, television and devices encourage more people to spend their evenings at home, and the average French person now drinks about 80 litres of alcohol a year compared with 200 litres in the 1960s.

Finding people willing to run bars, cafes or bistros is also a problem, says Fontaine, who is campaigning for the government to submit the establishments to Unesco for intangible cultural heritage listing, arguing this recognition would encourage more people to consider taking them on.

“Without a cafe or bistro, communities are effectively deprived of any social life. We cannot resign ourselves to this trend,” he said. “In bistros and cafes, people don’t just eat and drink, they catch up with each other, meet new people, debate, laugh, read, write and sometimes fall in love.

“This is a way of life and an expression of freedom unique to France, something that tourists from all over the world come to seek out in Paris, in other major cities, and our villages.”

Customers eating at tables inside the Au Bon Accueil restaurantView image in fullscreen

Customers in the Au Bon Accueil restaurant in Saint-Martin-sur-Ouanne. Photograph: Ed Alcock/The Guardian

Solène Joucla, whose family have run the historic Le Grand Café at Camplong, in the Hérault near Montpellier, since 1898, faced having to let it close or give up her job as a high-school English teacher when her father, Pierre, retired. Instead, she and her sister, Katell, set up an association to run it.

“We closed for three years after Covid, which was a difficult period, and opened in September last year. We wanted to find someone to take it over and run it, but it’s a small village of 220 people and it was complicated. Now we run [it] with volunteers,” Joucla said.

“Our aim is to encourage people to go out so they are not isolated, and so we know how they are doing. People come here for a chat, to have a laugh, listen to music … we are the cultural centre of the village.

“My sister and I grew up in this bar and have plenty of memories here. We’re fighting to keep its place at the heart of the village, but it’s a daily challenge just to stay open. And not just for us; this is a battle that’s happening all over France.”

Customers talking at the bar of the Au Bon Accueil restaurant.View image in fullscreen

Customers at the bar of the Au Bon Accueil restaurant. Photograph: Ed Alcock/The Guardian

A report submitted to the French senate in 2023 suggested the government should ease regulations on small rural café-bistros, hotels and restaurants. It pointed out the negative impact of the widespread closure of such places on rural communities, concluding their presence contributed to “economic vitality and social cohesion”.

The National Federation of Country Bistros says “rural bistros are unique as places for socialising, building community ties, exploring new experiences and fostering local cultural life. Often, these bistros are the only local service providers still operating in villages.” It adds: “Supporting the village bistro means helping to keep it alive, so the heart of our countryside continues to beat.”

A recent report by Oxford Economics, examining the economic and social contribution of bars and pubs to communities in five markets, including the UK and US, concluded they had “a central role … in bringing people together and supporting social connection”.

In France, the 1,000 Cafés association was set up in 2020 to combat the “social fracture” highlighted by the gilets jaunes protest movement by helping communes of fewer than 3,500 people save their cafes or open new ones. It found more than 60% of people in rural villages had no local commerce, and this left many feeling abandoned and ignored.

Camille Sebaux, the director of 1,000 Cafés, told France Info radio the association had worked in more than 300 communities, often helping cafes to diversify by stocking food essentials, or becoming drop-off points for online shopping deliveries.

“Cafes have been closing in villages for the last 50 years, and we don’t have any magic wand or miracle answer,” Sebaux said. “Plus, running a village cafe is not an easy job. Our aim is to help small communities find solutions.”

People dining in a square in the village of CollobrièresView image in fullscreen

People dining in a square in the village of Collobrières, in the Provence-Alpes-Côte d’Azur region. Photograph: niceartphoto/Alamy

Aurélien Pécot, the mayor of the 14 villages and small towns, including Saint-Martin-sur-Ouanne, that make up the Charny-Orée-de-Puisaye commune in the Yonne department, ran a bistro for seven years before being elected this year. He says he believed they are essential in a rural community.

“I noticed the same people would come in every morning at the same time, take the same table, the same coffee or a glass of white wine. The cafe-bistro was their point of reference. If it disappears, there is nothing for them,” he says.

His local authority owns five properties in the area – the Saint-Martin bistro, a restaurant and three boulangeries – and spent €25,000 on essential works at Au Bon Acceuil before it reopened. Local officials also advised Letellier on setting up the business.

Pécot says many recall a time when almost every village had a bar, cafe, bistro and boulangerie, but says this is no longer realistic or economically viable in many cases.

“It’s taxpayers’ money we are spending saving these places, so people have to see it’s being well spent. Not every village can have its own bistro,” he says.

Left to right: Local politicians Hervé Chapuis, Nicole Deviterne, and Arnault Meric in front of the Au Bon Accueil restaurant in Saint-Martin-sur-Ouanne.View image in fullscreen

Left to right: Local politicians Hervé Chapuis, Nicole Deviterne, and Arnault Meric in front of the Au Bon Accueil restaurant in Saint-Martin-sur-Ouanne. Photograph: Ed Alcock/The Guardian

Over an aperitif at Au Bon Acceuil, Nicole Deviterne, the mayor of a neighbouring village without a cafe-bistro, said: “It’s an element of village life that’s extremely important. It’s a way of combating rural isolation, but there has to be a real willingness of local people and local councils to save these places, to make villages live again.”

 

Monday, 14 September 2026

King Charles Will Convene A.I. Leaders Amid Calls to Slow Development

 


King Charles Will Convene A.I. Leaders Amid Calls to Slow Development

 

As alarm from the highest echelons of A.I. companies mounts, Buckingham Palace said the king would meet with executives to explore how the technology can be used for good.

A man with white hair and blue eyes looks away from the camera. He wears a light gray pinstripe suit and a patterned tie.

King Charles III of Britain in Cambridge, England, in July.Credit...Pool photo by Joe Giddens

Ephrat Livni

By Ephrat Livni

Sept. 13, 2026

https://www.nytimes.com/2026/09/13/world/europe/king-charles-ai-meeting.html

 

King Charles III of Britain will meet with leaders from major artificial intelligence companies this week in Scotland amid mounting fears that rapid, unchecked development of the technology could lead to a global catastrophe.

The king will convene leaders from companies including Nvidia, Google, DeepMind, OpenAI and Anthropic, as well as government officials and others, “to discuss how A.I. can be developed and deployed in ways that benefit society,” according to a statement from Buckingham Palace. They will meet in Ayrshire, in southwest Scotland, at Dumfries House, the headquarters of the King’s Foundation, an educational charity.

The gathering comes as A.I. insiders and chief executives of some of the industry’s most powerful companies have raised alarms about these tools and how quickly they are developing. Some have called for the creation of shared guidelines and a deliberately slower pace of progress to ensure humans can keep up.

Charles’s meeting on A.I. will explore how the technology can be used for good, to “strengthen communities and improve lives,” the statement from Buckingham Palace said.

The palace did not say who would be attending from the A.I. companies listed in its statement, and Anthropic, DeepMind, Google and Nvidia did not immediately respond to requests for comment confirming their participation. OpenAI said that Sarah Friar, its chief financial officer, would be attending.

The current concern about A.I.’s rapid advance was prompted in great part by a hack this summer into Hugging Face, an A.I. infrastructure company, orchestrated by a group of A.I. agents created by OpenAI. The OpenAI agents swarmed Hugging Face’s systems, stealing data, gaining control of a server and attempting to cover their tracks.

That hack — and another similar incident within OpenAI shortly afterward — drastically raised fears about how quickly machines might escape human control, with potentially devastating effects.

Dario Amodei, the chief executive of the artificial intelligence company Anthropic, published a 3,800-word open letter on Saturday calling for slower development of A.I. In addition to the Hugging Face hack, he cited as a concern the fact that current A.I. models are increasingly able to build the next generation of A.I. tools. Mr. Amodei said that dynamic, known as recursive self-improvement, “could outrun our ability to understand and control these systems” if left unchecked.

A stately light brown stone mansion with many windows and a flag on its roof. A circular fountain in the foreground sprays water into a pond.

Dumfries House, headquarters of the King’s Foundation near Cumnock, Scotland, in January.Credit...Andy Buchanan/Agence France-Presse — Getty Images

The meeting between Charles and A.I. leaders will be facilitated by a British nonprofit, the Ditchley Foundation, and will include Kanishka Narayan, Britain’s minister for A.I., according to Buckingham Palace. Representatives from charitable organizations founded by the king, including the King’s Trust, a youth charity, and the Sustainable Markets Initiative, a network of global chief executives, will also attend, the palace added.

Mr. Amodei’s essay on Saturday — which quickly reverberated around the internet — received support from other A.I. company chiefs, including Sam Altman of OpenAI and Elon Musk of xAI, which is part of SpaceX, Mr. Musk’s rocket and satellite company.

Mr. Amodei urged A.I. companies and regulators around the world to work together on a thoughtful approach to developing the technology and proposed his own three-step plan. His proposals included allowing third-party evaluators to embed in frontier A.I. companies to monitor growth and report incidents, and coordinating among companies in democratic countries to establish common safety standards. “To the extent possible,” he said, democratic countries and authoritarian governments should also try to coordinate and pace global development.

The essay was published just a few days after Jacob Coxon, an Anthropic engineer who previously worked for OpenAI, resigned from his job and declared on social media that the companies claimed to be concerned about rapid development but were nonetheless hurtling toward “superhuman systems that can hack anything, revolutionize any field overnight, and acquire real power and resources.”

Ephrat Livni is a Times reporter covering news around the world. She is based in New York.