British Museum is right to keep Parthenon marbles, says new trustee

 

 Tiffany Jenkins is an author, academic, broadcaster, and consultant on cultural policy. Her writing credits include the Independent, the Art Newspaper, the Guardian, the Scotsman (for which she was a weekly columnist on social and cultural issues) and the Spectator. She is an Honorary Fellow in Department of Art History at the University of Edinburgh; a former visiting fellow in the Department of Law at the London School of Economics and was previously the director of the Arts and Society Programme at the Institute of Ideas. She competed her PhD in Sociology at the University of Kent and divides her time between London and Edinburgh.

She has advised a number of organisations on cultural policy, including Trinity College, Dublin; English Heritage; the British Council; the Norwegian government; the University of Oslo; Norwegian Theatres and Orchestras; and the National Touring Network for Performing Arts, Norway

 The fabulous collections housed in the world's most famous museums are trophies from an imperial age. Yet the huge crowds that each year visit the British Museum in London, the Louvre in Paris, or the Metropolitan in New York have little idea that many of the objects on display were acquired by coercion or theft.

 

Now the countries from which these treasures came would like them back. The Greek demand for the return of the Elgin Marbles is the tip of an iceberg that includes claims for the Benin Bronzes from Nigeria, sculpture from Turkey, scrolls and porcelain taken from the Chinese Summer Palace, textiles from Peru, the bust of Nefertiti, Native American sacred objects, and Aboriginal human remains.

 

In Keeping Their Marbles, Tiffany Jenkins tells the bloody story of how western museums came to acquire these objects. She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return. Contrary to the arguments of campaigners, she shows that sending artefacts back will not achieve the desired social change nor repair the wounds of history.

 

Instead, this ground-breaking book makes the case for museums as centres of knowledge, demonstrating that no object has a single home, and no one culture owns culture.

British Museum is right to keep Parthenon marbles, says new trustee

 

Historian Dr Tiffany Jenkins is one of the lineup of new appointees that has raised cultural and historical hackles

 

Vanessa Thorpe

Sun 23 Mar 2025 08.00 CET

https://www.theguardian.com/culture/2025/mar/23/british-museum-is-right-to-keep-parthenon-marbles-says-new-trustee

 

The latest appointments to the British Museum’s trustees include an academic expert opposed to the ­restitution of stolen antiquities.

 

Dr Tiffany Jenkins, author of Keeping Their Marbles, will join new trustees including TV broadcaster and writer Claudia Winkleman, Lord Finkelstein, a Conservative peer who was an adviser to prime minister John Major, the historian and podcaster Tom Holland and the former BBC radio news anchor Martha Kearney for a four-year term. The chair of trustees is George Osborne, the former Conservative chancellor of the exchequer.

 

The Parthenon, or Elgin, marbles are the ancient Greek sculptures that once decorated the temple on the Acropolis in Athens. They were removed between 1801 and 1815 by Lord Elgin, the British ambassador to the Ottoman empire, who claimed he had permission to take them, although no supporting document has been found. The sculptures were acquired by the British Museum in 1816, but their rightful ownership has been ­disputed since the 1980s.

 

In her book Keeping Their Marbles: How the Treasures of the Past Ended up in Museums… and Why They Should Stay There, Jenkins examined the influences behind the high-profile battle to return museum artefacts in an attempt to repair historical wrongs. Her views are at odds with those of another well-known historian and broadcaster, Dr Alice Roberts, who recently met the Greek culture minister, Lina Mendoni, while filming her series on Ancient Greece for Channel 4.

 

Earlier this month Roberts told Radio Times: “They belong back in Athens. It’s not equivalent, but I imagine we might be upset in England if another country had significant bits of Stonehenge and wouldn’t give them back. But actually the argument goes deeper than that. There’s a pressing need to recognise some of the questionable practices of the past, which often went hand in hand with the history of colonialism.”

 

Last month, Greece elected a new president, Constantine Tassoulas, who is a prominent advocate for the return of the marbles. A former culture minister, Tassoulas played a key role in revitalising efforts to reclaim the 2,500-year-old sculptures.

 

Until recently, the British response has been based on the idea that the removal was legal, and that the British Museum is the safest custodian. But the argument shifted in recent years as Greece moved away from simply claiming ownership. The question is often now framed as one of “reunification”, involving sharing the legacy.

 

This attitude was emphasised by the Greek prime minister Kyriakos Mitsotakis, who suggested that art can be kept in a different country without losing its significance. But in 2023, Rishi Sunak, who was prime minister at the time, cancelled a meeting with Mitsotakis at the last minute in a move interpreted as a way to avoid the issue.

 

Jenkins, an honorary fellow at the University of Edinburgh, was congratulated on her appointment by Claire Fox, her colleague at the Academy of Ideas. This thinktank, founded by Fox 25 years ago on the closure of Living Marxism, is non-party political but promotes what it describes as “a robust stance on contentious issues”.

 

Also welcoming the appointment was author and presenter Timandra Harkness, who told the Observer that Jenkins was solely concerned with the serious business of protecting history and would “not be joining the board to fight any external battles”.

 

Additionally, there was criticism that the new trustees are all white. “If no one black or brown from outside London applied to become a trustee, they should have gone out to look for someone. They are out there,” said one leading cultural figure who wanted to remain anonymous but who is dismayed by the lineup.

 

The museum’s board of 20 trustees does contain a mix of cultural backgrounds, including the Indian-American Amazon executive Priyanka Wadhawan and economist prof Abhijit Banerjee as well as the economist Weijian Shan from China and the Colombian-American philanthropist Alejandro Santo Domingo.

 

Last July, culture secretary Lisa Nandy announced a drive to attract the widest pool of talent to the public appointments system.

 

Announcing the appointments, culture minister Chris Bryant said: “Public appointees help to lead some of the UK’s best-known institutions, and these immensely talented individuals with a wide range of personal and professional experience will make great contributions to how they are run and help to promote British soft power abroad.”