The Guardian view on the return of super-thin
models: a worrying trend
Editorial
At a time when anxieties about body image are rife,
the idealisation of skinniness is too dangerous to leave to the whims of the
fashion industry
Paloma
Elsesser
The ‘curve’
model Paloma Elsesser is one of the most sought-after catwalk stars.
Reports
from the latest high-profile catwalk shows have sent a shiver through the bones
of the body positivity movement. From Versace to Burberry and Stella McCartney,
wafer-thin bodies appear to be back in vogue, in costumes that both hide little
and depend on having little to hide. The most striking example was at Paris
fashion week, where Bella Hadid, a model for the French designers Coperni,
stood almost naked for nine minutes while a dress was sprayed on to her body.
It’s in the
nature of the fashion industry to be fickle, and to reflect idealised images
that have little to do with the day-to-day reality of the people who, come next
spring, will be buying more prosaic interpretations of these unworldly visions
on the high street. You only have to look back at the work of, say, Zandra
Rhodes to appreciate that catwalk designs are artworks: the veteran British
designer has even set up her own museum in London to celebrate this fact.
However,
the ideal of the ultra-thin model has come to be connected over the years with
all sorts of damaging behaviours, from fat-shaming to eating disorders among
young men and women. It is particularly worrying to hear the term “heroin
chic”, three decades after Kate Moss strutted it down the catwalk.
Though Ms
Moss has distanced herself from the term, telling Radio 4’s Desert Island Discs
that she was just naturally thin, one must not forget its association with
others who were not so lucky, such as the American supermodel Gia Carangi,
whose life, and premature death at the age of 26, were commemorated in a 1998
film starring Angelina Jolie.
The body
positivity movement itself has come in for some criticism for condoning obesity
and encouraging a different range of eating disorders, but in the fashion
industry it has largely meant embracing models who are simply bigger than
average, which in the UK means above a size 12.
Plus-size –
or “curve” – models are not going away, according to analysts for the search
engine Tagwalk, and one of their number, the American Paloma Elsesser, is among
the world’s most sought-after catwalk stars. Yet moves by social media
companies such as Instagram and TikTok to protect users from the pursuit of
#thinspo (thin inspiration) underline that this is no time for complacency.
In 2017
real progress was made when two leading fashion conglomerates banned size zero
models. France had recently followed Italy, Spain and Israel in legislating
against the use of any who were “unrealistically thin”. The UK has yet to
follow suit, leaving it to the Advertising Standards Authority to ban
advertisements featuring unhealthily thin models in response to public
complaints. This is shutting the gate after the cat has walked.
Last year,
the parliamentary women and equalities committee published a damning report on
the government’s approach to eating disorders and body image. They were
responding to a submission by academics involved in a long-term research
project in north-east England, whose recommendations included legislation on a
minimum body mass index for models. It is an issue too important to leave to
the whims of fashion.
No comments:
Post a Comment