Alexander
Thomson began work in 1834, as a clerk in a lawyers office in Glasgow. One of
their clients was an architect, Robert Foote, who was impressed by seeing
Thomson's drawings and took him on as an articled apprentice. He learnt a great
deal from getting access to Foote's extensive library and collection of
classical casts, but in 1836 Foote had to retire due to illness. To complete
his articles, Thomson became apprenticed to the architect John Baird, initially
as an assistant, and later became chief draughtsman. Thomson's younger brother
George got apprenticed to Baird in the early 1840s.
In
September 1847 Thomson married Jane Nicholson, and on the same day her sister
married another architect, John Baird (unrelated to Thomson's employer, and
referred to by biographers as John Baird II), who fell out with his previous
partner. In 1848 Thomson joined him in a new partnership, the practice of Baird
& Thomson.
In 1857,
as "the rising architectural star of Glasgow," he entered into
practice with his brother George where he was to enjoy the most productive
years of his life. He served as president of both the Glasgow Architectural
Society and the Glasgow Institute of Architects. Thomson was an elder of the
United Presbyterian Church of Scotland, and his deep religious convictions
informed his work. There is a strong suggestion that he closely identified
Solomon's Temple with the raised basilica of the same form of his three major
churches.
He
produced a diverse range of structures including villas, a castle, urbane
terraces, commercial warehouses, tenements, and three extraordinary churches.
Of these, Caledonia Road Church (1856–57) is now a ruin, Queen's Park United
Presbyterian Church (1869) was destroyed in WWII, and St Vincent Street Church
(1859) is the only intact survivor. Hitchcock once stated, "[Thomson has
built] three of the finest Romantic Classical churches in the world”.Thomson
developed his own highly idiosyncratic style from Greek, Egyptian and Levantine
sources and freely adapted them to the needs of the modern city.
At the
age of 34, Thomson designed his first and only castle, Craigrownie Castle,
which stands at the tip of the Rosneath Peninsula in Cove, overlooking Loch
Long. The six-storey structure is Scots Baronial in style, featuring a central
tower with battlements, steep gables and oriel windows, in addition to a chapel
and a mews cottage.
Thomson's
villa designs were realized at Langside, Pollokshields, Helensburgh, Cove, the
Clyde Estuary, and on the Isle of Bute. His "mature villas are Grecian in
style while resembling no other Greek Revival houses,...[and they] are
dominated by horizontal lines and rest on a strong podium." According to Gavin Stamp,
"Thomson carefully designed his villas with symmetries within an overall
asymmetry in a personal language in which the horizontal discipline of a
continuous governing order—whether expressed or implied—was never abandoned.[Regarding
similarities to Frank Lloyd Wright, Stamp states, "It has often been
remarked that there are clear resemblances between the early houses of the
Prairie School and Thomson's horizontally massed design, with its low-pitched
gables and spreading eaves -- together with a connecting garden." As Sir
John Summerson noted, "There is something wildly 'American' about Thomson
-- a 'New World' attitude. You can see it in the villas...a sort of
primitivism, ultra-Tuscan."
Later in
his career he would abandon his eclecticism and adopt the purely Ionic Greek
style for which he is best known, as such he is perhaps the last in a
continuous tradition of British Greek Revival architects. In attacking the
Gothic, he "insisted that 'Stonehenge is really more scientifically
constructed than York Minster'...[alluding to] Pugin's comment that in their
temples 'the Greeks erected their columns like the uprights of
Stonehenge'."[12] Other important works still standing include Moray Place,
Great Western Terrace, Egyptian Halls in Union Street, Grosvenor Building,
Buck's Head Building in Argyle Street, Grecian Buildings in Sauchiehall Street,
Walmer and Millbrae Crescents, and his villa, Holmwood House, at Cathcart.
Thomson
was a visionary who introduced into our vocabulary some of the essential
elements of sustainable housing. This argument hinges on an unrealized design
Thomson prepared in 1868 for the Glasgow City Improvement Trust, an agency of
the Town Council given the task of redeveloping a large area of slum housing
centred on the medieval Old Town. The Trust invited Thomson and five other
prominent architects to propose designs for the reconstruction of various
parcels of land along the spine of Glasgow's High Street. Thomson suggested
that closely spaced parallel tenements be built within the central courtyard,
the ends of which will be open to facilitate ventilation. He also proposed that
alternate streets be glazed for better warmth and safety for the residents.
Although Thomson's ideas failed to catch on at the time, new research and CAD
techniques have helped show how revolutionary was his proposal for improved
workers' housing.
.jpg)




No comments:
Post a Comment